忽必烈时代是元杂剧成熟并繁盛的时期。
The Times of Kublai Khan was the mature and flourishing period of Kublai Khan Yuan Zaju.
元杂剧历史题材剧的繁荣兴盛令人瞩目。
The prosperity of historical drama in the Yuan Dynasty is compelling.
明清杂剧颇具幽默情调。
文章探讨元杂剧的鬼魂戏和元代的祭祀习俗。
This article mainly studies the Yuan Drama from the angle of the custom of offering sacrifices to gods and ancestors.
本文从四个方面探讨了元杂剧中文人隐逸的积极心态。
The scholars' active solitude psychology in the poetic dramas of Yuan dynasty is reflected in four aspects.
关汉卿在他的杂剧作品中，成功塑造了一大批恶人形象。
Guan Hanqing figured a gang of villain images in his works of poetic drama.
关汉卿的杂剧，以其本色当行和深刻的现实内容而著称。
Plays by Guan Hanqing are famous for their striking features and realistic content.
本文把这种新的杂剧体制称为明代中后期单折讽刺杂剧。
The new system is called One-satirize act opera in middle and later periods of Ming dynasty.
元人杂剧中，本色派的作品具有朴素自然、本色泼辣的风格；
Of the yuan dramas, the works of the True Quality school are simple, natural, pungent and of true quality in style.
但元剧宾白在许多方面都明显留下了杂剧艺人加工、创造的痕迹。
But there left in many aspects of the Yuan-opera spoken parts are obvious marks of processing and creation by artists of four-set poetic drama.
第一章主要是比较元杂剧水浒戏与小说《水浒传》的背景与主题。
The first part makes a comparison on Chinese opera about the Shuihu in the Yuan dynasty and All men are brothers about the background and theme.
该文主要从儒家文化和市井文化的角度来论述元杂剧的妇女形象。
This paper discusses mainly the women images of the Yuan Opera in the perspectives of Confucian culture and pop culture.
三辊行星旋轧变形复杂剧烈，对于其成形规律的研究具有很大的难度。
Three-roll planetary rolling is of complex severe deformation process and it is difficult to study the forming laws.
元代杂剧中的部分人物，有明显类型化的痕迹，这是学术界公认的事实。
It is generally acknowledged by the academic circle that some of the characters in the poetic dramas in Yuan Dynasty obviously had something stereotyped.
元杂剧把音乐、歌舞、表演、念白a融于一体，是比较成熟的戏剧形式。
It was already a relatively matured form of drama integrating music, singing, dancing, performing and speaking.
这几种曲唱形式在北曲乃至元杂剧形成的过程中发挥了重要的艺术功用。
These songs had played important artistic roles in the process of the formation of songs in north China and dramas in Yuan Dynasty.
元杂剧、明清传奇和欧洲传统戏剧都是文学的戏剧，地方戏是表演的戏剧。
Zaju of Yuan, legends of Ming and Qing and traditional European operas all belong to literary drama, while local operas are performing drama.
明清亦有多种以庞居士故事为题材的杂剧和传奇，但学者们很少注意到它。
There are Zaju and legends in the Ming and Qing Dynasties, taking Pang story as the subject matter, which does not arouse scholars' attention.
与《元刊杂剧三十种》等文献比较，具有大体一致性，但又显出一些差异。
There is consistency, but there are some differences in comparison with the documents on Thirty Kinds of Yuan Variety Play.
《汉宫秋》位列元杂剧四大悲剧之一，是我国古代戏剧中的一部著名悲剧。
"Han Gong Qiu" is one of the four major tragedies of Yuan Dynasty, is a well-known tragedy of the ancient Chinese drama.
元杂剧三国戏的人物形象塑造中寄寓着元代士人的独特文化心理与人物美学理想。
The characterization of the Three Kingdoms plays in the Yuan poetic drama represents the particular cultural psychology of the Yuan scholars and the aesthetic ideal of dramatic characterization.
戏曲学是20世纪新兴的学科，元杂剧研究是戏曲学学科中最有成绩的学术门类。
The studies of traditional Chinese opera are a newly-established discipline in 20th-century Chi- na, of which the Yuan Opera studies are the most fruitful field.
杨景贤的大型连台本杂剧《西游记》将民间流传的唐僧西天取经故事搬上戏曲舞台。
For the first time, Yang Jingxian' s fullength drama with many acts adapted from the folktale of the Tang monk acquiring scriptures was put on the stage.
论文着重分析宋杂剧绘画的装饰性特征，以及本人是如何在创作中运用装饰性特征的。
Papers will focus on analyzing the Song Dynasty painting of decorative features, as well as how I am a creative use of decorative features.
与此同时，在元代，传统诗歌和以杂剧为主体的戏曲存在着相互冲突、此消彼长的势头。
Meanwhile, there were conflicts between traditional poetry and traditional operas which maintained poetic dramas as the main body.
关汉卿的杂剧极为关注女性的生存状态和人生际遇，为人们描绘了千姿百态的女性形象。
In Guan Hanqing s poetic drama, various females of distinctive characters are portrayed, and great attention is paid to their living conditions and fate.
元杂剧表现智谋，原因较复杂，择要而言，有文学传统、文体优势、现实背景等诸方面。
The cause of Yuan plays expressing the resourcefulness was more complicated, but in short embodied in such aspects as the literary tradition, style advantage and realistic background.
关汉卿的杂剧创作因其内容丰富、数量众多、体制完备而在我国戏曲史上占有重要的地位。
Guan Hanqing s dramas play an important role in Chinese drama history because of their rich contents, large quantity and perfect style.
关汉卿的杂剧创作因其内容丰富、数量众多、体制完备而在我国戏曲史上占有重要的地位。
Guan Hanqing s dramas play an important role in Chinese drama history because of their rich contents, large quantity and perfect style.
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