Here's the problem with that technique, and by the way, a number of programming languages use this, including Lisp.
这会指向元素的值,然后对内存进行切分,关于这种技术有个问题,顺路说下。
It doesn't really matter as long as we're comfortable talking about entire space-time worm, the car and the slices, or the stages.
只要我们接受,它整个是条时空虫,可以接受它的切分,阶段,这样就可以了。
So, we wanted to bang that syncopation and then, of course, there's no sound on the downbeat over here to make the syncopation work.
我们想要强调这个切分,然后,当然,在强拍的位置就不发声了,这才构成切分音
So to use an analogy that I think that David Kaplan, a philosopher of UCLA offers you've to think it more like a bologna or salami that you can slice.
这里我用一个类比,我想是加州大学哲学家大卫提出的,你要想象成一条大腊肠或者香肠,你可以切分的。
Okay. Obviously, this is the bar of syncopation-- we did this in section last week-- but you can see this note is the syncopated note.
显然,这个小节里包含了切分节奏,上周的课我们提到过,我们看到这个音符是切分音符
Syncopation.
切分法
The term is on the board and it's a good example of syncopation sort of jumping in ahead of time cutting off the beat, getting in there ahead of time and throwing off the metrical balance for a very short period of time.
这个词已经写在白板上,这是个非常典型的切分音的例子,它提前跳入,切分节奏,提前介入,并在非常短的时间里,打破拍子的平衡
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