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The drive to include the world--Moore's omnivorous poems claim for poetry all the subjects that she mentions here and indeed many, many more.
在穆尔涉及广泛的诗篇中蕴藏着包含万物的动机,向她提及的诗歌的所有主题发出了声明,而且实际上比此更甚。
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Now, the poems that you'll be reading, we'll be talking about, did not, of course, always exist in the form that you find them.
我们现在要阅读讨论的这些诗篇，当然并不总是以我们看到的形式出现的。
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But you might have to,also, refer to a Psalm over here or to another passage over here. And it's too difficult if you're unraveling scrolls and everything.
但你也许还要查阅，诗篇或者另一段文字,而解卷展轴太麻烦了。
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And as Walt Whitman wrote in poem after poem, and other poets did as well, and politicians said over and over and over and over America, and this United States, this nation formed there would be the beginning of a new man, a new start for humankind.
对此沃尔特·惠特曼和其他诗人,写下了众多的诗篇,政治家们也对此喋喋不休,这片土地上,在美利坚合众国,人们可以获得新生,这也是,人类的新起点
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It's safe to say that Lycidas is one of the last poetic works of Milton's that's really consumed with his problem, the problem of fruitless anticipation.
谨慎的说，是弥尔顿最后的,切实地与他自身的问题有关的诗篇之一，他自身关于毫无成果的期望的问题。
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Well, with all that said by preparation, let me show you some more poems, beginning with Thomas Hardy, on page 51.
我做了很多准备，我来给你们看更多的诗篇，从托马斯·哈迪开始，在51页。
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You could compare this poem to the poem placed last in Yeats's last poems called "Politics" that might seem to say something similar.
你们可以将这首诗与,叶芝诗篇的最后一首“政治“相比较“,它们可能会说一些相似的东西。
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Now in Virgil's early poem, the Sixth Eclogue, the speaker explains that the writing of pastoral poetry is the stuff that young poets do.
在维吉尔早期的诗篇里，诗人解释道,田园诗歌的创作是年轻诗人的必经之路。
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The Psalms are very individual writings that focus on individual piety and love and worship of God.
诗篇》则是个人的作品,集中表现了个人对上帝的虔诚，爱与崇拜。
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It's not about marriage, and marriage will still seem quite a ways off, I fear, when you read Lycidas, but we will be marking the transition to the poetry of marriage soon enough.
那不是讲婚姻的，我担心当你们读《利西亚斯》的时候，婚姻仍是一个走出的方法，但是我们,将很快标记诗篇中关于婚姻的转变。
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modernity, in Crane's strange, gorgeous poetry, is all about getting high, about elevation, exultation.
在克莱恩古怪又绝美的诗篇里，现代性就是关于不断的上升，和狂喜之情。
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In many passages too Yahweh is represented as presiding over a counsel of gods. Certainly in the Psalms we have these sort of poetic and metaphoric descriptions where God is, "Okay guys, what do you think?" presiding--or he's one of them, actually.
在很多文章里，耶和华,统领着整个神界的法律，在《诗篇》中,我们能看到这种类型的诗歌或隐喻，上帝会是这样的：,“嘿伙计们，感觉怎么样？“，甚至和众神打成一片。
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And there is Owen, in uniform, a handsome young man. This is all, as I say, very much part of the transmission of Owen's poetry.
这是欧文，穿着制服，这样一个帅气的年轻小伙，我说过，这都是欧文诗篇中传递出的信息。
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That is an extraordinary claim for the poem's originality.
这也是一种对诗篇独创性的独特的宣告。
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The appearance of this semi-epic rhyme scheme here at the end of Milton's poem suggests his readiness, and he's ready only here at the end of Lycidas to embark on the epic project.
弥尔顿诗篇的最后处半史诗韵律的设计,显示了他已准备就绪，他在的结尾处依然准备好了,在史诗的创作上留下自己的印迹。
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Virgil would go on to be a great epic poet but not until after he had written these pastoral eclogues and then after that, after he had written the georgic poems, only then does he write finally the great epic poem The Aeneid.
他会成为一个伟大的史诗家,但这一直到他写出这些抒情诗之后,在那之后，在他完成了那些田园诗篇之后，直到那时他才最终完成了史诗。
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There are poetic passages in which he is referred to as "Bull."
也有一些诗篇中他被称作“公牛“
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Like Baal, Yahweh is said to ride on the clouds: We have a poetic passage in which that's the case.
像Baal一样，据说耶和华也是腾云的：,我们在一个诗篇中可以看到这样的描述。
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And you'll see on your handout two quotations from poems by Hughes, the first, "125th Street," giving us well, here, images of black life in the rural south transposed to Harlem.
在讲稿上你们会看到对休斯诗篇的两个注解，第一首《125街》，很好的给我们展示了，从南部的黑人生活到哈莱姆的一个过渡。
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One of the enduring works written in 1922, the amazing year that The Waste Land and Ulysses appeared and The Criterion started its publication -one of those amazing works is Marianne Moore's poem called Poetry.
她其中一篇流传甚久的诗篇作于1922年，这一年那个《荒原》和《尤利西斯》都发表了,《标准》也开始出版,那年的杰出作品其一就是穆尔的《诗歌》
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Those are plays though, and all English narrative poems, including all of Shakespeare's narrative poems, they had all been written in rhyme, either long verse paragraphs of rhymed heroic couplets or in intricately rhymed stanzas.
但那些是戏剧，所有的英语叙事诗，包括所有莎士比亚的叙事诗，都是押韵的，不管是英雄双韵体的大段诗篇,还是精巧押韵的诗节。
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There are, of course, dozens of figures taken from the texts of classical mythology who are alluded to throughout the first two books, but invariably they appear, just as Tantalus does in this very passage, within the context of a simile.
当然，这部作品有很多人物是取材自,经典神话故事，他们是用来表达隐喻的,贯穿着前两册书，他们始终出现，就像丹达罗斯在这一诗篇中，给予诗内容一种喻示。
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While Milton wrote most of the mask in 1634, he published it in 1637, and it's at this point three years later that he seems to have inserted into the Lady's speech, and also elsewhere in the poem, certain lines for the published version.
弥尔顿在1634年写了《面具》的大部分，他于1637年出版，就是在三年后,他似乎在印刷版女士的演讲中，或者在诗篇的其他地方插入了一些行。
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This is the line that begins the poem's final verse paragraph and it has to be one of the most amazing moments in all of English literature.
这行是以诗篇最后的韵诗开端的,是英语诗歌文学中,最惊艳的段落之一了。
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In some important way, I think, the Lady can be seen as being in the same position that Milton had been representing himself in so many of the early poems.
在某种重要的意义上来说，女士可以被看做是与弥尔顿,在许多早期诗篇中表现的自己处在同样的位置。
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