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It had only twelve poems. The poems are written in free verse.
VOA: special.2009.04.12
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In the tradition, one of the companions asked the prophet what's the most powerful verse in Koran.
在传统故事中，有个人问先知,《可兰经》里最有力度的一句诗是什么。
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I think that Milton intends for us to think of the verse in Paradise Lost as he wanted us to think of books in Areopagitica: the lines of Milton's poetry are not absolutely dead things, but they do contain within them a potency of life.
弥尔顿在《论出版自由中》让我们把书看作是肉体,我想他也想让我们这样看待《失乐园》的诗句：,弥尔顿的诗句不是毫无生气的，它们蕴含着生命的潜质。
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And again in one of the functional magnetic insonance image experiments, we could ask Mike to examine faces verse other things.
与在一个功能性核磁共振成像试验中一样，我们告诉迈克去仔细看人脸和其他东西。
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The primary metrical pattern in Frost is the primary metrical pattern in English poetry, which is to say blank verse or unrhymed iambic pentameter.
弗罗斯特基本的诗歌韵律,是英国诗歌的基本韵律，也就是无韵诗或不押韵的五音部抑扬格。
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Nothing that long, but long enough in which they would tell the same stories in verse and music, and you could recognize the story as you went from bard to bard.
没那么长,但也足够长了,他们会以诗韵或者音乐的节调传唱同样的故事,你能从不同的吟游诗人口中认出这个故事
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In verse 8, the people solemnly undertake to fulfill the terms of the covenant, so we have at least three of the steps that we find in the Hittite treaties, as well.
诗8中，所有的人庄严的承诺,将履行契约的条款，所以我们至少找了三个步骤,和在Hittite条约中看到的一样。
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And so in Milton's verse here, sense or meaning is variously drawn out from one verse into another. Sense, the very spirit of meaning, is infused throughout an entire line rather than being singled out and separated or segregated to the end of the line in the form of the rhyme word.
弥尔顿的诗句里，感觉或意思在句与句,之间传递，感觉，意思的灵魂,贯穿于整句，而不是被分离出来,以韵脚词的形式放在句末。
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In the second verse paragraph, Milton tells his father: "do not despise divine poetry, creation of the prophetic bard.
在诗的第二段，弥尔顿对他父亲说：,不要轻视神圣的诗歌，诗人预示性的创作。
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Professor John Rogers: Milton is typically cited by literary historians as one of the first major English poets to praise in verse the institution of marriage.
约翰·罗格斯教授：文学家们说弥尔顿,是英国早期诗人中,赞美婚姻制度的一员。
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Up to this point in literary history, only verse written for the theater had been written in unrhymed lines of iambic pentameter, in blank verse.
文学发展到那时候，只有为戏剧写的诗,才会用不押韵的抑扬格五音步，即无韵诗。
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This is a simile that Stanley Fish brilliantly describes ; as central to a certain temporal procedure common in Milton's verse; Fish is interested in the temporal process of reading in general.
这被斯坦利费什独具匠心地形容为,弥尔顿诗中极为常见的时间步骤的核心;,费什对总体上这首诗的时间顺序非常感兴趣。
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Milton wrote his epic in lines of unrhymed iambic pentameter or what we call, and what Milton would have called, blank verse.
弥尔顿的史诗由不押韵的抑扬格五音步诗句写成,我们，还有弥尔顿都称其为无韵诗。
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This is the verse form, you'll recognize it, in so many of the long speeches of characters in the plays of Marlowe and of Shakespeare.
这就是你们经常在马洛和莎士比亚戏剧中的,角色的大段独白中看到的诗体。
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You can actually see the mechanics of end-stopped verse quite clearly in the rhymed version of Paradise Lost that, admittedly, the great poet John Dryden wrote.
在大诗人约翰·德莱顿所写的,押韵版的《失乐园》中能很明显看到，这中孤联诗句的机制。
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Feet, of course, has a lot of meanings, and Milton's poetic feet, the material of the verse written in six and eight and ten syllables in this poem, are also in 1634 printless -- they're unpublished.
双脚，当然有很多意义，而弥尔顿富有诗意的双脚,这首六，八，十音节的诗，在1634年也是不留痕迹的--因为那时候还没有出版。
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There is first the understandable aesthetic power, the power of the beauty of Milton's verse, an aesthetic power that's often thought or felt to inhere somewhere in the poetry itself.
首先是美学上的力量，这是可以理解的，弥尔顿的诗句之美的力量，一种美学意义上的力量,大家通常认为或觉得这是弥尔顿诗歌本身固有的一种力量。
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Those are plays though, and all English narrative poems, including all of Shakespeare's narrative poems, they had all been written in rhyme, either long verse paragraphs of rhymed heroic couplets or in intricately rhymed stanzas.
但那些是戏剧，所有的英语叙事诗，包括所有莎士比亚的叙事诗，都是押韵的，不管是英雄双韵体的大段诗篇,还是精巧押韵的诗节。
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So let's look at an example of how this might actually happen, a way in which the verse actually seems to generate this sensation of bodily freedom. Just look at the first line of the poem: "Of Man's First Disobedience and the Fruit."
让我们来看一个具体例子，看看诗句是怎么样产生,躯体自由的快感的，整首诗的第一句：,“关于人类最初违反天神命令偷尝禁树的果子“
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