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She told me aboutall the traveling she'd done and how she discoveredways to expand her mind and learn howto live in harmony...
VOA: standard.other
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Well, with the first movement we said he's generally going and that kind of idea, but now it's and we'll explore this when we get to harmony, this idea of major and minor so we're going music and now and that's a change from the dark minor to the brighter major.
在第一乐章,我们说过它大体上,就像这样,但现在,我们讲到和弦时再来研究这个,大调和小调的概念,我们继续听音乐,还有这个,这就是小调到大调间的转变,由阴郁转向明亮
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But that formula forces us to return to the original Socratic question about the harmony of the soul and the city.
但那个公式迫使我们回到,原始的苏格拉底式问题,即有关灵魂与城市的和谐。
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Former U.S.President Jimmy Carter described the Obama selection as "a bold statement of international support for his vision and commitment to peace and harmony in international relations".
VOA: standard.2009.10.09
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All that Simmias needs to cause problems for Socrates' argument is the claim that harmony is invisible and harmony can be destroyed.
西米亚斯为苏格拉底的论证,带来问题的只需要是,和声是无形的,但是可以毁灭。
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Performers wearing ethnic costumes danced and sang to show harmony.
VOA: standard.2009.10.01
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He created finally--he emigrated to the United States and he set up a city called New Harmony.
而他确实这么做了，他移居到美国,并创建了一个名叫新和谐村的公社。
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"We need to live in harmony with climate,"
VOA: standard.2009.12.21
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We want to figure out if the harmony is changing, and if it is changing whether it's changing at a regular or irregular rate.
一是判断和声是否发生了变化，二是如果发生了变化，和声的变化频率是规则还是不规则的。
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But on the other hand these advances have also come at a cost. And in this story there's also a sense of longing for the freedom of life in the wild--the innocent, simple, uncomplicated life lived day to day without plans, without toil, in harmony with nature Edenic a somewhat Edenic existence.
但是，换个角度来看，人类付出了代价,才得到这些优点，在这部史诗中，同样存在着,对一种纯真，简单，纯粹生活的向往,每天生活中没有计划，辛劳，与自然和平相处,就像以前的。
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Even if we were to say you know what, the mind is not much like harmony at all.
即使我们说，知道么，精神和和声一点也不一样。
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So the crucial point right now is that, thinking about harmony is offered as a counterexample to the generalization that invisible things can't be destroyed.
所以现在的重要问题是，和声的例子现在作为,灵魂不可毁灭,这一概括说法的反例。
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Why,when dealing with harmony and bass lines, do I want to start by focusing on popular music and then apply those principles to classical music?
为什么在处理和音和低音线时，我是否需要注重流行音乐然后将这些原则应用到古典乐上？
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This raises the question whether it is possible to transform politics to replace enmity and factional conflict with friendship to replace conflict with harmony?
这就产生了一个问题,是否有可能转变政治，以友谊,取代敌对与派系冲突,以和谐取代冲突？
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Harmony is to the harp as the mind is to the body.
和声对于竖琴就像精神对于身体。
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New Harmony was supposed to be an inspiration.
新和谐村本该大振人心。
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Is this metaphor, think about the relationship between the mind and the body as similar to the relationship between harmony and a harp.
思考思想和身体的关系,是否和这个比喻里,和声和竖琴的关系相同。
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If we have to sing a different pitch, then probably the harmony has changed.
如果觉得自己需要变调，那么和声就很可能已经改变了。
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He says this is a very nice example for us to think about because some people have suggested, Simmias says, that the mind is like harmony.
这是个很好的例子供我们思考,因为西米亚斯说,一些人推测,精神就像和声一样。
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Now I am going to take some time to think about whether or not harmony is a good analogy, because I actually think it is a good analogy.
现在我要花点时间思考,和声是不是个好的类比，因为实际上我觉得它是个好的类比。
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We have basically harmony but it has a simple rhythm to it.
是基本的和声,不过这只是一个简单的节奏
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And all of our musical experience tells us to listen to melody; melody's beautiful--that's what we want to hear, but now to get a sense of harmony we're going to listen to the bass.
所有我们过去听音乐的经历都告诉我们应该听旋律;,旋律是美妙的，这是我们想听的，但是现在为了了解和声我们应该听低音部。
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If he could show us, he could convince us that harmony is not really invisible, then we would no longer have a counterexample to the claim that the invisible can't be destroyed.
如果他可以说服我们,和声并非无形，那我们就没有了,灵魂不可毁灭,这一论断的反例。
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So the point of this is: once you get these kind of progressions locked in your ears, you go to a concert and you can begin to chart what the piece is doing in terms of its harmony.
这里的重点是，一旦你的耳朵牢牢记住了这些进程，你去听音乐会的时候就能开始分析一部作品的和声了。
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If some invisible things can be destroyed, and harmony is an example of that, then, by golly, it's going to follow that we can't conclude from the invisibility of the soul that the soul can't be destroyed.
如果有形的东西可以毁灭，和声是这样的一个例子，那么接下来我们就无法得出,灵魂是无形的,无法毁灭的。
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I think what's going on in the harmony, the suggestion that we should think the mind like harmony as though the harmony of the body, is an early attempt to state the physicalist view.
推断精神像是，我们肉体的和声,展现了，对物理学家的观点的早期尝试。
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We've talked about some of these already, having to do with the nature of the harmony-- that pop music tends to have simpler harmonies, and that those harmonies tend to be more repetitious, that they tend to have harmonies that have chords in root position.
我们以前说过，这个问题与和声的性质有关-,流行乐通常用较为简单的和声，流行乐通常用较为简单的和声，流行乐手也大多喜欢用原位和弦。
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