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Is it just a representation of an imaginative and desireful economy, or is there some other thing being produced here?
是仅仅代表了虚构的渴望的经济，还是有些别的什么在这儿？
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It's a persistent problem partly because it always raises these issues of fictionality versus truthfulness, of honesty versus embellishment.
这是个持久的问题,原因是它一直在质疑虚构性和真实性的关系，还有诚实与修饰的关系。
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They have a substantial reality within the fictional context, the mimetic context, of this epic. These are angels.
他们在这篇史诗虚构的模仿得来的，内容中具有极大的现实意义，他们是天使。
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On your journey, and this is also true of the study of folklore, you need a helper. That's part of fiction. You need another hero.
在你的旅途中，一些民间传说的研究也能证明，你一定需要一个帮手，当然这里面也有虚构成分，你需要英雄。
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He says, "I dispute the pretensions of any theory which sets up an imaginary standard of justice not grounded on utility."
他说，我反对任何理论,不以功利为基础，虚构公正标准“
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In Stevens, modernity shows us that the truth of religion was always a fiction, a fundamentally poetic construction.
在史蒂文斯的诗里，现代性向我们展示了,宗教的真理不过是虚构之言，是最基本的诗意创作。
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And there are the sort of goddesses or Aeolus of wind and handmaiden for Venus herself.
也毋庸说那些送来鲜花的女神,把维纳斯送到岸边的风神,和她那些侍女等都是虚构出来的。
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We're going to assume this is not realistic we're going to assume for now that there are 10% of the voters at each of these positions.
我们假设,本案例纯属虚构,我们现在假设,每一个政治立场都会有10%的得票
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The Iliad,which is about a war, immediately is a kind of an artificial society put together for the purpose of defeating the Trojans and taking their city.
伊利亚特 》,作为描述战争的史诗,直接就是一个集合的虚构社会,目的是为了击败特洛伊人并占有他们的城邦
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There's no such company, so I can be completely hypothetical.
这是个虚构的公司,所以我可以随意作假设
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The best examples of this are fictional.
很多虚构的故事非常能说明这个道理
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Imagine--this didn't, of course, actually happen, but imagine--the crucial point here is simply that we can imagine this story happening, not even that we think it's empirically possible, just it's conceivable, it's an imaginable story.
想象,当然,实际上并没发生,最关键的地方就是想象,故事因此而产生,别去想实际上是否可能发生,只需要一点想象,这是个虚构的故事
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It probably is at least in part, but mainly it is probably intended to be fiction or fictionalized biography.
最少一部分是，可是结果大相径庭,大篇都是虚构或文学小说化了的自传。
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The character of Peter brought directly out of the New Testament is really slicing through the poem's fictive veneer.
彼得的形象是直接从中借鉴而来的,在这首诗虚构的伪饰中显得格外犀利。
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In a way, what Coleman does is write his autobiography, a fictional autobiography, in the very process of living it.
从某种意义上讲，Coleman在写自传，虚构的自传，同时他也在经历这些情节。
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as we've seen, establishing a fiction that works to place himself at the scene of a nativity that obviously occurs 1600 years and change before his own birth.
我们也看到了，他创建了一个虚构的景象,把自己放进了基督诞生的幻景中,而这些比他出生早1600年发生并不断在改变。
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Once we sort of settle into this vocabulary, and once we get used to this clearly unquestioningly scientific perspective, why on earth do we need pseudo-statement or fiction at all?
一旦我们习惯了这种用语，一旦我们习惯了,这种科学视角，我们为什么还需要伪陈述和虚构呢？
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Ultimately, we reach the conclusion that if we're to think of literature, we're to think of something that is made up: not something that is based on something but something that is made up.
最终，我们得到结论，如果我们要想到文学，我们就得想到虚构的一些事情,不是基于其它事情上的事情，而是虚构的一些事情。
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All of Iser's work is grounded in the notion of literature as fiction.
伊瑟尔的所有作品持有文学即虚构的概念。
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So, we'll just do this imaginary perfect battle.
我们来演示一下这场虚构的完美战争
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The nymphs, of course, are powerless, and worse than that, the nymphs, as we know and of course as John Milton knew, are merely fictions. This is all made up.
海洋女神当然无能为力，更糟糕的是，海洋女神，我们都知道，弥尔顿也知道，只是虚构的，这都是虚构的。
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Literature knows itself to be fictive.
文学意识到自己是虚构的。
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Whereas most utterances purport to be saying something true about the actual state of things in the world, literary utterance is under no such obligation, the argument goes, and ought properly to be understood as fiction making it up as opposed to referring.
大多数言辞都是对事物的真实状况的,真实反映，而这种观点认为，文学没有这个义务，应该把文学理解为小说,它是虚构而不是实指。
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So I went by night and fought against it from the break of dawn until noon, taking it and slaying all 7000 men, boys, women and girls and maid servants, for I had devoted them to destruction for the god Ashtar Chemosh", referring to herem. It is likely that such claims are hyperbolic in Moab and it is likely they were hyperbolic in Israel.
我连夜赶路，与它战斗,从破晓到正午，拿下了它,屠杀了全部7000个长幼男人和女人，还有女仆，我奉献他们给阿斯塔基摩神，这便是祭祀，这些很有可能是摩押的假设,他们在以色列也很有可能是虚构的。
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Now, if we have any doubts that On the Road is mythic in itself, I just want to show you quickly two things. In 2007, On the Road had its fiftieth anniversary of publication.
现在如果还有对这本小说虚构性有所疑问，我想要迅速地让向你们展示两件事情，2007年是《在路上》出版的十五周年。
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It's not fictional enough.
福克纳在另一方面有异议--情节的虚构度不够。
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And just as there are innumerable human activities which require undistorted references if they are to be satisfied, so there are innumerable other human activities not less important which equally require distorted references or, more plainly, fictions.
就像无数的人类活动,需要真实的证据,如果要达到令人满意的效果，无数同等重要的,人类活动,也同样需要失真的参考,说得更明白点，就是需要虚构。
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So it was a theme of the period and Freud's Beyond the Pleasure Principle contributes to this theme. Brooks himself likes to -- refer to the text of Beyond the Pleasure Principle as itself a master plot-- in other words as having a certain fictive character.
所以不难发现，这就是弗洛伊德时期的一大主题,而那本《超越快乐原则》也就响应了这个主题，布鲁克斯,本人很喜欢引用《超越快乐原则》中的片段-,换句话说，就好像有一个虚构的角色。
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