Milton pushes this image even further into indistinctness with an instance of his famous deployment of the conjunction or.

弥尔顿甚至把这幅图像发展为朦胧的意象,添加了一丝他引以著称的对关联的展开。

耶鲁公开课 - 弥尔顿课程节选

And for that minute a blackbird sang Close by, and round him, mistier, Farther and farther, all the birds Of Oxfordshire and Gloucestershire.

就在那时候，一只近旁的乌鸫,唱起来，围绕着他，越发朦胧的，越来越遥远的,越来越遥远的，所有的鸟儿。

耶鲁公开课 - 现代诗歌课程节选

It is--at least, it puts itself out there as a candidate to be an alternative term that one might use if one got tired of saying "irony" or "paradox."

如果“讽刺“，“悖论“一类的词,用的太多,可以用“朦胧“来替换“

耶鲁公开课 - 文学理论导论课程节选

Not just that, but the moral certainties that may have seemed distinct when we contrasted the ethereal heaven with the spotty and the imperfect nature of Satan and of the moon -those, too begin to seem fairly hazy.

不仅如此，其中看起来有所不同的,当我们对比天堂和撒旦与月亮的不完美时,其中道德的确定性,-那些令人模糊朦胧的事务，也开始崩塌。

耶鲁公开课 - 弥尔顿课程节选

So there is this sense of occluded sight; "Haze," that haze.

这就有点视线被阻隔的意味;,“Haze“指的就是“朦胧“

耶鲁公开课 - 1945年后的美国小说课程节选

The poet Wallace Stevens puts it beautifully when he says that poetry should make the visible a little hard to see; in other words it should be a defamiliarizing of that which has become too familiar.

诗人华莱士，史蒂文斯在解释这点时说得很漂亮,他说，诗应给能见之物涂上一点朦胧的色彩，换句话说,诗应将熟悉的事物陌生化。

耶鲁公开课 - 文学理论导论课程节选

The last chapter of Seven Types of Ambiguity, his seventh ambiguity, is actually, as Empson said, about "some fundamental division in the writer's mind."

在《朦胧的七种类型》的最后一章，第七种朦胧，Empson提到，“作者思维的本质区别“

耶鲁公开课 - 文学理论导论课程节选

The brief excerpt you have in your photocopy packet-- - I trust that you have picked it up by this time at Tyco -- from Empson is taken from Seven Types of Ambiguity.

在你们复印件里也有节选-,现在你们也应该都从，Tyco复印中心拿到了-,从Empson的《朦胧的七种类型》中节选的部分。

耶鲁公开课 - 文学理论导论课程节选