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The idea of risk, that economic risks can be pooled, is an intuitive one that has occurred to people throughout history.
风险理论，即认为经济风险可以分摊，是历史过程中,人们逐渐发现的理论。
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Well, this reconstruction of the evolution of Israelite history, Israelite religion, excuse me, is really driven more by theological prejudice than it is by historical evidence.
嗯，以色列历史进化过程的重建，以色列的宗教，抱歉，实际上是由神学偏见推动的,而不是历史证据。
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In other words, doesn't historicism open the canon and indeed make the process of reading, the experience of reading, archival and omnivorous rather than canonical?
换言之，难道不是历史相对论破坏了标准,甚至让阅读的过程，阅读的经历，变得如档案般无所不包，而不是遵守规范？
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On the whole I think it fair to say that human history is a record of the ways in which human nuture has been sold short.
整体来说，我认为人类历史,是人性逐渐缺失的过程的,一个记录。
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The way we hear music, the way our mind processes music, is very, very different from this other kind of information, very different from history or economics.
我们接收音乐的方式,我们思绪的过程,与接受和思考任何其它的信息,比如历史,或者经济学,都是不同的
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But in the course of history, we settled beginning in the sixteenth and seventeenth century, down into just two patterns: what we call the major pattern and the minor pattern.
但在历史的发展过程中,在十六到十七世纪期间,人们最终确定了下列两种模式,我们称之为大调模式和小调模式
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Well,if you go back to the formation of musical notation from the ninth through the twelfth centuries we see that very early on these two dimensions of music the two axes of music that we talked about before pitch vertically and duration horizontally, are in place and we have these spots in this grid.
回顾一下从公元九世纪至二十世纪,音乐记谱法的历史形成过程,我们可以看出,音乐的两个维度,就是我们之前提到的音乐的两个轴,纵轴是音高,横轴是时值,在早期已经存在了,我们在这样的网格上用点记录
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