这不可能激发对文学的热爱。
他完全不在乎文学的社会、政治或道德层面。
He cared not a whit for the social, political or moral aspects of literature.
老师向学生们灌输对文学的爱好。
The teacher transfused a love of literature to his students.
这一直是文学的功能，我们应该小心不要让它消失。
This has always been the function of literature and we should be careful not to let it disappear.
一般来讲，专注于学习拉美文学的学生会发现自己在历史方面有很多研究。
Generally, the students who concentrate on Latin American literature find themselves researching in the history section a lot.
将他移出英国文学的名人堂就等同于卢浮宫卖掉《蒙娜丽莎》一样，意义重大。
Removing him from the pantheon of English literature would make about as much sense as the Louvre selling off the Mona Lisa.
卡罗莱纳医院指出，因为主要用英语写作，古巴裔美国作家被排除在关于古巴流亡文学的选集和分析之外。
Carolina Hospital notes that Cuban-American writers who write primarily in English are dismissed from anthologies and analyses of Cuban exile literature on that account.
我们将迈入天文学的新时代。
天文学的例子还有哪里出错呢？
如果我们把时间和生态联系起来，而不是从天文学的角度来考虑时间，将会如何？
What if, instead of considering time in terms of astronomy, we related time to ecology?
我在上半年教一门关于文艺复兴时期文学的课程。
I am teaching a course on the literature of the Renaissance in the first half of the year.
但同时他也改写了文学文化，并将自己置于文学的中心位置。
But it's also that he rewrote the culture of literature and put himself at the center.
他提出，荷马史诗似乎不像其他文学的原因，就是因为它们和其他文学不同。
He suggested that the reason Homer's epics seemed unlike other literature was because they were unlike other literature.
当他教他们天文学的时候，他不仅仅教了行星的名字，还用利用这些名字来教神话学。
When he was teaching them astronomy, he didn't just teach them the names of the planets—he used it as a way to teach mythology.
法国人说，歌剧应该反映戏剧文学的节奏和韵律，记住我们正在谈论的是法国文学的黄金时代。
The French said opera ought to reflect the rhythm and cadence of dramatic literature, bearing in mind that we are talking about the golden age in French literature.
那意味着我们最近的邻居星球离我们大约有100光年远，从天文学的角度来说，这几乎是一墙之隔。
That means that our nearest neighbours are perhaps 100 light years away, which is almost next door in astronomical terms.
对于这些早期文学作品的不安，其核心是两个基本问题：首先，希腊文学的两部杰作是如何横空出世的？
At the heart of the unease about these earliest works of literature were two fundamental questions: first, how could Greek literature have been born ex nihilo with two masterpieces?
他们的儿子Baal是风暴之神，在神话文学的描述中，他打败了混乱的海神Yam和死神Mot 。
Their son, Baal, is a storm god. He's depicted in mythological literature Mot as defeating both the chaotic sea god, Yam, and the god of death, Mot.
从文学的角度看这写的怎么样？
那么，您觉得文学的挑战在什么地方？
Where, then, do you think the challenges for literature lie?
他们也可以成为恐怖儿童文学的作家。
They can also become writers of scary children's literature.
这些在更大程度上是视觉的而非文学的。
我们就是这样推算启示文学的创造年代。
我称之为文学的和视觉。
这是创造力必须位为之的，在文学的范畴。
你对艺术或文学的品味。
这一焦点已从文学的领域转向了潮流地带。
From the realm of literature the focus has shifted to fashion.
这一焦点已从文学的领域转向了潮流地带。
From the realm of literature the focus has shifted to fashion.
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