多声部，即在音乐进行过程中，同时出现一个以上的不同声部。
It has been developed for thousands of year for multi-voice choir arts in western country and introduced to China for over one hundred year.
多声部合唱艺术在西方已经有一千多年的历史,传入我国也有一百多年时间。
参考来源 - 高位唱法的训练与运用Polyphony and convergence(соборность): The quality of polyphony is universally recognized as one of the most important poetic principles.
三,“众声喧哗”与“聚合性”(соборность):“多声部”性已是公认的陀思妥耶夫斯基的重要诗学原则之一。
参考来源 - 宗教文化语境下的陀思妥耶夫斯基诗学·2,447,543篇论文数据，部分数据来源于NoteExpress
其与和声学以及蒙古族民间多声部音乐的持续音技法有区别。
Mongolian folk and acoustic as well as with multi-voice music continued to sound techniques are different.
另外还运用复调手法，多声部的狂欢对话加强了文体的狂欢色彩。
Ondaatje also use the techniques of polyphony, enhanced the color of the carnival style.
本文概述了中国多声部民歌的历史、分布、题材内容与音乐形式特征。
This paper offers an introduction to the history, distribution, theme, content and musical features of the Chinese multipart folk song.
应用推荐