中国多声部民歌 Chinese multipart folk song
It points out Fan's study career through the study of multipart folk song and nationalization of professional composition technique.
本文从民间多声部民歌的研究与专业作曲技法民族化的研究两个方面总结樊祖荫的学术道路。
参考来源 - 樊祖荫的多声理论与其创作However this aspect is seldom involved in the existing multi-musical part folk song monograph. To study its vocal music art is an innovation and creation in the entire multi-musical part folk songs.
苗族歌鼟是少数民族多声部民歌的一种,它没有器乐伴奏也没有舞蹈助兴,只有单纯的人声音乐,因此,探索它的声乐艺术对歌鼟本身就显得尤为必要,更是一个不能不谈的问题,而这个问题是现有多声部民歌专著都很少涉及的一个方面,研究它的声乐艺术是对整个多声部民歌研究的一个创新,一个空白的填补。
参考来源 - 湘西南多声部苗族“歌鼟”研究·2,447,543篇论文数据，部分数据来源于NoteExpress
本文概述了中国多声部民歌的历史、分布、题材内容与音乐形式特征。
This paper offers an introduction to the history, distribution, theme, content and musical features of the Chinese multipart folk song.
的确是这样，因为羌族多声部民歌是一种非常古老的民歌，而羌族只有语言没有文字。
It is true as the Qiang people's multi-part folk songs are very old and the Qiang people don't have their written language though they do have their own language.
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