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This is why in the last passage on your sheet from the interview with Stefano Rosso, de Man is willing to venture on a categorical distinction between his own work and that of his very close friend, Jacques Derrida.
那就解释了为什么在纸上的最后一段,选自斯蒂法诺，罗素的采访，德曼愿意在自己的作品与他的密友雅克，德里达的作品,之间一个绝对的差别上冒险。
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Mohamed Al-Fayed, and I can't remember what country he's from,
穆罕默德•法耶德，我记不起来他来自哪个国家了，
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