莫迪里阿尼画中的妇女都长着奇长无比的脸。
由于摆脱了负载(它微妙地影响了肩部和大腿的形状),莫迪里阿尼画的女像柱反而变成了高度时尚化了的苗条的女性形体形象。
Freed of the need to bear a load, which would have subtly affected the shape of the shoulders and thighs, Modigliani's painted caryatids instead become highly stylised attenuated female forms.
观察右边这个金发碧眼的小孩子并不容易,由于她的一个虹膜被烟色涂污而使得她的双眼明显的表现出恐怖,而且没有感觉到莫迪里阿尼是在试图描绘人类自身的痛苦。
It is hard to look at the small blonde child on the right, her eyes expressly made creepy by the smudging of one iris, and not feel that Modigliani was trying to paint human pain itself.
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