贝多芬并没有继承莫扎特与海顿的风格，他的前两部作品首次公演时，在大提琴家皮埃尔·迪波尔的协奏下，衬托得钢琴部分更加精巧华丽。

Beethoven, who had no precedents in the genre by Mozart or Haydn to emulate, performed the premieres of the two works, whose piano parts are more virtuosic, with the cellist Jean-Pierre Duport.

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我们可以发自肺腑地理解哈姆雷特，罗密欧，迪波尔特，赫克·芬恩(顽童历险记主人公)抑或是彼得潘的困境，我还记得我自己挥舞着剑指着赫克·芬恩，我真切地感受到我就是他。

We have less trouble following Hamlet's dilemma viscerally or Romeo's or Tybalt or Huck Finn or Peter Pan - I remember holding that sword up to Hook - I felt like him.

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在科波尔的作品之前，教育历史学家很少提到妇女和女孩；托马斯·伍迪1929年的作品是个明显的例外。

Prior to Kerber's work, educational historians barely mentioned women and girls; Thomas Woody's 1929 work is the notable exception.

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