这张照片充分应用了近景拍摄,聚焦在一个母亲和她的两个孩子身上,灰尘和绝望在他们脸上刻下了一条条的纹路。
The photo makes effective use of the tight shot, focused on the mother and her two children, faces streaked with dirt and despair.
摄影师迈克尔·梅尔佛(Michael Melford)给动物拍照的时候最喜欢在它们的周围显示出栖息地环境——这比用长焦镜头拍摄近景照片要更好。
A favorite composition of photographer Michael Melford's is an environmental shot showing the animal surrounded by its habitat-rather than the usual tight shot taken with a long lens.
他们会重新放置摄像机的位置,拍摄在后期编辑过程中会用到的所有的近景和中景。
They reposition the cameras and get all the close ups and medium shots to use when they edit the film together.
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