这幅中国早期作品中丝毫没有生硬之处，因为画中特别喜欢使用起伏的线条，这就赋予了整个画面一种运动感。
There is nothing rigid in this early Chinese work, because the predilection for undulating lines imparts a sense of movement to the whole picture.
那么会发现在16世纪晚期或17世纪初期之前，是一条长长的没有多少起伏的线条，之后，这条线才开始上扬。
It would be a long, flat line until the late 16th or early 17th century, when it would start trending upward.
他的人性化的做法是在充分的证据有：室内显示天然材料，温暖的色调，和起伏的线条。
Yet his humanistic approach is in full evidence in the library: the interior displays natural materials, warm colours, and undulating lines.
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