这幅中国早期作品中丝毫没有生硬之处，因为画中特别喜欢使用起伏的线条，这就赋予了整个画面一种运动感。
There is nothing rigid in this early Chinese work, because the predilection for undulating lines imparts a sense of movement to the whole picture.
那么会发现在16世纪晚期或17世纪初期之前，是一条长长的没有多少起伏的线条，之后，这条线才开始上扬。
It would be a long, flat line until the late 16th or early 17th century, when it would start trending upward.
他的人性化的做法是在充分的证据有：室内显示天然材料，温暖的色调，和起伏的线条。
Yet his humanistic approach is in full evidence in the library: the interior displays natural materials, warm colours, and undulating lines.
在由海浪、天空和岩石构成的海景边缘，森林的线条沿着海岸起伏，被勾勒得鲜明清晰。
Up and down the coast the line of the forest is drawn sharp and clean on the edge of a seascape of surf and sky and rocks.
他的歌剧以社会性的题材，人物形象和剧情的真实简单，旋律与剧情的紧密结合，歌唱的主体线条和起伏跌宕优美动人旋律而著称。
His opera by social theme, character image and plot real simple, the melody and the plot close union, sings the main body line and the fluctuation unconstrained exquisite moving melody are famous.
他的歌剧以社会性的题材，人物形象和剧情的真实简单，旋律与剧情的紧密结合，歌唱的主体线条和起伏跌宕优美动人旋律而著称。
His opera by social theme, character image and plot real simple, the melody and the plot close union, sings the main body line and the fluctuation unconstrained exquisite moving melody are famous.
应用推荐