本篇论文以接受美学和权力话语理论为基础，探讨二理论指向的共核，即译者主体性；

This thesis, grounding on the power discourse theory and the aesthetic reception, probes into the common core pointed to by the two theories, namely the translator's subjectivity.

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传统的文化工业理论局限于特定的历史情境，单纯的将否定和批判作为对文化工业的理论指向，已经失去了其历史时效性。

Traditional culture industrial theory is limited to specified historical situations and totally negative attitudes and criticism towards culture industry has already lost it's historical vitality.

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理论和一些观测数据则指向他们曾经普遍存在的可能性。

Theory and some observational data pointed to the likelihood that they were ubiquitous.

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