那些确实阅读过我的散文的人都很欣赏其在严格的符号框架下编织情感的巧妙方法。
Those who do read my prose appreciate the craft with its emotional weave under a rigorous symbolic framework.
他把小说看成是散文的升华。
散文的节奏和诗歌的节奏有明显的差别。
The rhythm of poetry and prose rhythm has obvious differences.
An ear and an appetite for these sounds of sense is the first qualification of a writer, be it of prose or verse.
这些感性的声音的耳朵和胃口,是作家最基本的素质,不论是写散文还是诗歌。
Actually we have Milton's commonplace book, his reading notes, and you can find it all in English translation in volume one of The Complete Prose Works of John Milton.
事实上我们有弥尔顿的那本普通的书,他的阅读笔记,你们可以找到完全的英译本,在弥尔顿全部散文作品的第一卷。
So, this is not yet that idealized speech that Kerouac is dreaming of when he writes the list of Essentials for Spontaneous Prose.
所以说,这还不是凯鲁雅克写自发性散文的要素那张单子时,所理想中的语言。
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