1939年后,秀兰•邓波儿的星途急转直下,她的少女面孔——肤色更深、头发更直、表情更忧郁——不再具有票房号召力。
Things appeared to dive sharply after 1939, when her teenage face—the darker, straighter hair, the troubled look—failed to be a box-office draw.
在许多忧郁的现实主义小说家中间,忧郁最深的恐怕要算季星。
Among the many gloomy novelists of the realistic school perhaps the most full of gloom is gissing.
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