在好几本主要的后期著作里,福柯都表现出对他称为“存在美学”(aesthetics of existence)的坦率承认的着迷,一种取决于风格或者美学的考虑的自我克制的途径。
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PEP 3115提到更改语法还有美学方面的原因,但是对此尚存在无法用客观标准解决的争论(到PEP 3115的链接,请参见参考资料)。
PEP 3115 also mentions that there are aesthetic reasons for changing the syntax, but this is a debate that cannot be solved objectively. (See Resources for a link to PEP 3115.)
这种美学思想不仅在中国古代有其重要的地位,就是在今天,它仍然有其存在的价值和意义。
This aesthetics thoughts not only stood a very important station in ancient China, but aslo in today. It has its value and significance.
书法艺术是中国传统哲学和美学的另一种外化的存在形式。
The art of calligraphy is a traditional Chinese philosophy and aesthetics of the other things the existence of a form.
So that's Kant's famous distinction between the purposive, which is the organization of an aesthetic object, and the purposeful, which is the organization of any object insofar as it goes to work in the world or for us.
所以康德的著名理论,关于区分美学意义上的“合目的性“,和存在意义上,服务于我们的“目的性“
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