为了使架子上的空间最大化,他引入了天窗采光。
To maximise shelf-space, skylights rather than windows were introduced.
挑空构造,天窗采光,激发工作与创作灵感。
The void structure and daylighting by skylights inspire work and creation.
新的大厅和交流空间以天窗采光,连接了新、旧建筑以及两个入口。
A new lobby and circulation space, lit by a continuous shaded clerestory, occupies the seam between old and new and unites the two entries.
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