Chapter Two discusses zero focalization, external focalization and internal focalization employed in the novel and analyzes the significance of the shifting of different focalizations.
第二章分析了小说的零聚焦、外聚焦和内聚焦，以及聚焦变化的意义。
参考来源 - 论《宠儿》的叙事策略The inseparable interconnection between variable inner focalization and multiple inner focalization is the chief content of her text's perspective: the variable inner focalization promotes the progress of consciousness, while the multiple inner focalization depicts the lifelike characters.
不定式内聚焦和多重式内聚焦的相辅相成则是文本书写视角方面的重要内容：不定式内聚焦推动了意识的进程；而多重式内聚焦叙述出了圆形的人物。
参考来源 - 长篇意识流小说话语方式之初探·2,447,543篇论文数据，部分数据来源于NoteExpress
习惯把第一人称“我”作为叙述者，而且采用“内聚焦”性的讲述策略；
Their films present a multiplex style in action arranging, making the first-person as the storyteller and adopting the strategy of interior-focus.
乔伊斯在《尤利西斯》的内聚焦叙述中，运用三个反英雄人物作为聚焦人物。
James Joyce employs three antiheroes as the focal-characters in the internal focalization of Ulysses.
《尤利西斯》的内聚焦叙述，以三个主要人物为聚焦人物，通过人物的双眼和意识感知故事世界。
The internal focalized narration in Ulysses takes the three protagonists as its focal characters, through their eyes and consciousness to percept the world.
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