又称共振说、钢琴说或回声说，是有关听觉形成的理论之一。1863年，德国著名的物理学家和生理学家赫尔姆霍茨（HV.Helmholtz）在他的声学名著《作为音乐理论的生理学基础的声觉学说》一书中，并详细阐述了这一学说。
共鸣说（resonance theory）由亥姆霍兹在1863年提出。亥姆霍兹在考察内耳结构时，观察到耳蜗中包含很多神经感觉单位，它们依次排列在基底膜上。
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Sampson 说，“它们完全是有机融入的，只有当与用户发生共鸣时才会持续显示。”
They are entirely organic, and users will only continue to see them if they have resonance.
"正是这第一个主页造成了误会.人们和它产生不了共鸣,"梅耶尔说.一位女士甚至认为网站是伪造的,是心理实验的一部分.
People didn't resonate with it," Mayer said. One woman even thought the Web site was a fake construction that was part of a psychology experiment.
"正是这第一个主页造成了误会.人们和它产生不了共鸣,"梅耶尔说.一位女士甚至认为网站是伪造的,是心理实验的一部分.
People didn't resonate with it, " Mayer said. One woman even thought the Web site was a fake construction that was part of a psychology experiment.
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