The lyric thinking of Chen Zi-long is the very important part of the lyric study critics and theory in Ming and Qing dynasty.

陈子龙的词学思想是明清时期词学批评、词学理论的重要组成部分。

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But in Ming and Qing Dynasties brush portrait is impacted by literati painting, for example: Chen Hongshou also reveals itself abstractly in his works.

明清时期的工笔画受到文人画的影响，如：陈洪绶在他的人物作品之中也透露出写意之风。

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Chen Hongshou and Ren Bonian, who respectively lived in late Ming Dynasty and Qing Dynasty, are both the brilliant jewel in the history of Chinese figure painting.

明末清初人物画巨匠陈洪绶与清末人物画巨擘任伯年，是中国人物画史上两颗璀璨的明星。

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