The lyric thinking of Chen Zi-long is the very important part of the lyric study critics and theory in Ming and Qing dynasty.
陈子龙的词学思想是明清时期词学批评、词学理论的重要组成部分。
But in Ming and Qing Dynasties brush portrait is impacted by literati painting, for example: Chen Hongshou also reveals itself abstractly in his works.
明清时期的工笔画受到文人画的影响,如:陈洪绶在他的人物作品之中也透露出写意之风。
Chen Hongshou and Ren Bonian, who respectively lived in late Ming Dynasty and Qing Dynasty, are both the brilliant jewel in the history of Chinese figure painting.
明末清初人物画巨匠陈洪绶与清末人物画巨擘任伯年,是中国人物画史上两颗璀璨的明星。
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