These multi-dimensional images of women are trying to find expression and the overall complexity of human nature in Flowers of Evil. The artistic feature is the symbolism and the creation of the counterpoint.
本文试图从女人意象的多维表达中发掘《恶之花》中人性的复杂展现以及整体性象征手法和对位法的形式创造。
参考来源 - 波德莱尔诗歌中的女人意象·2,447,543篇论文数据，部分数据来源于NoteExpress
以上来源于: WordNet
But somewhere from the 19th century onward, more artists began seeing happiness as meaningless, phony or, worst of all, boring, as we went from Wordsworth's Daffodils to Baudelaire's Flowers of Evil.
但从19世纪某个时间点开始，更多的艺术家开始认为幸福毫无意义，是虚假的，最糟糕的是有人认为它很无趣，就像我们从华兹华斯的《咏水仙》到波德莱尔的《恶之花》中读到的一样。
We went from Wordsworth's daffodils to Baudelaire's flowers of evil.
我们从华兹华斯的黄水仙花走到了波德莱尔的恶之花。
However the cost of his romance was tremor, terror and pains in the heart. This novel makes readers see that the original nature of youth is a cruel poem and a bunch of beautiful, but evil flowers.
然后这浪漫的代价却是战栗、恐惧与锥心的痛：小说使人看到青春的本相是残酷的诗，是一丛华丽的恶之花。
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