Though it contains shots that mirror the paintings of the German romanticist, Caspar DavidFriedrich, these are used to underpin the film's intense religious aura and are not typical of its general appearance.
Gazing toward a hazy bank of clouds, her back turned to us in the manner of a Casper DavidFriedrich daydreamer, this anonymous diva stands surrounded by truncated plaster columns and lights on stands, as well as a view camera on a tripod.