我刚读了艾略奥特珀曼的《蒙胧的七种类型》。
The last one i read was Seven Types of Ambiguity by Elliot Perlman.
“捐助的意向有它更为自私的一面”(乔治·艾略)。
"A patronizing disposition always has its meaner side" (George Eliot).
艾略思特保持着不动,等到确信没人听见后,拾起了刀。
Erestor froze and waited to make sure no one had heard, then picked up the knife.
The relativity of truth, the profusion of languages, these things that afflict Eliot are a source of faith for Stevens.
真理的相关性,语言的丰富性,这些折磨着艾略特的事物,对于史蒂文斯而言却是信仰的来源。
In English it begins with the late novels of Henry James around 1900, in poetry with Eliot and with Ezra Pound.
在英国现代主义萌芽于1900年左右,体现在亨利·詹姆斯,的后期小说,艾略特和艾兹拉·庞德的诗歌上。
Yeats is, in fact, a far less nostalgic thinker than either Eliot or Pound, at least as I understand them.
其实叶芝不如,艾略特或庞德那么怀旧,至少我是这么理解的。
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