20世纪50年代，这一计划开始成为现实。

In the 1950s, the plan began to become a reality.

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19世纪中后期的现实主义和自然主义画家都非常关注摄影——把它当作一种可以使用、可以向其学习和作出反应的东西。

The realistic and naturalistic painters of the mid- and late-nineteenth century were all intently aware of photography—as a thing to use, to learn from, and react to.

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另一个在20世纪提出的观点认为，人类有幻想的天赋，通过幻想，他们试图把现实重塑成比日常生活中遇到的更令人满意的形式。

Another, advanced in the twentieth century, suggests that humans have a gift for fantasy, through which they seek to reshape reality into more satisfying forms than those encountered in daily life.

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