李清照在其词作中，频频使用“瘦”字。
The word "emaciated" was used everywhere in Li Qingzhao s poems.
有几个螺钉松了。 （形容词作表语。）
（副词修饰形容词作状语）乡村的风景非常漂亮。
第二章重在分析李煜词作中的南唐宫廷文化烙印。
Chapter Two elaborates the deep scar of the culture of Nantang imperial-court on Li Yu's ci-poems.
衬词说。唱歌时都用“嘹嘹”的衬词作调子来唱。
When singing the "Liao Liao" word for the tone of the liner to sing.
语言的运用在宋代女性的词作中起着不可忽视的作用。
The language utilization in the female "Ci" of the Song Dynasty plays a noticeable rule.
从音乐性和文学性两个角度分析了流行歌曲词作的语体特征。
The paper analyses the stylistic properties of words in popular songs in respect of musical nature and literary nature.
与其它类型的词作一样，它在词史上也拥有着自己的一席之地。
The same with other types of text, it also has a place in the history of their own words.
规范使用带外文字母的词语可与规范使用外文字母词作同样处理。
The standard use of words with foreign letters can be treated equally as the standard use of foreign letters.
本文正是通过苏轼贬谪时期词作中的几个意象来探索其贬谪心态。
It is through this article relegate Sushi period of a few words for imagery to explore the mentality of their relegation.
他们从词作的数量与质量上都堪称元代词坛上独一无二的父子词人。
They may fairly be called the unique "father-son" writers in Yuan dynasty according to the quantity and quality of their Ci poems.
本文主要考察汉语形容词作定语时体现出来的限制性和非限制性功能。
This paper is concerned with the restrictive and non-restrictive functions of Chinese adjectives as attributives.
作为女性作家，李清照一如众多男性作家，创作了大量有关醉酒的词作。
Just like many other male writers, LI Qingrzhao, a woman writer, prouduced a large number of works about drunkenness.
记住，产生电力的正负电荷是能相互抵消并消失的。(形容词作同位语。)
You remember, that electric charges, positive and negative, which are responsible for electrical forces, can wipe one another out and disappear.
《全宋词》收录长卿词作260多首，宋代词人中现存有作品能超过该数者寥寥。
"Full Song" included Nagaaki more than 260 words for first, Song words out of existing works can be a little more than the number of persons.
他的词作，或豪放，或婉约，或旷达，均具有较高的艺术成就和一定的审美价值。
Bold and unconstrained, graceful and restrained, broad - minded, all of his poems possess highly artistic merits and fairly high value of appreciation of the beautiful.
这与词作华美的形式、悠远的意境相结合，奏响了诗体文学向词体文学过渡的先声。
It combines with florid form and remote artistic conception of poems, which achieves a transition of poetic literary into Ci-verse one.
既是理解词作的钥匙，又有词学研究、词人研究的资料价值和艺术鉴赏的审美价值。
These preludes not only are the key to the comprehension of poems, but also provides data for the research into Songci and related authors.
论文力图从解读作品出发，全面分析其词作的主题取向，明确其在词史上应有的地位。
The paper tries to analyse the theme of works to understand its art and style, so we can define his due position in the history of Ci.
从“性别与文化”的视角，对早期词作中的歌伎之词之美感特质进行了深入的探讨。
This paper makes a deepened discussion about the aesthetic trait of the geisha ci-poetry during the early period of ci-poetry from the perspective of "gender and culture".
辛弃疾的词作中一半以上与酒有关，在他身上体现了中国传统知识分子固有的诗酒情结。
Half of XTN Qi-ji 's works that exist now are related with alcohol, which reflects the inherent alcohol - poem complex of ancient intellectuals of China.
秦观词素有美如春花的赞誉，这一美学特色毫无疑问主要体现在他词作的“天生好言语”上。
Qin Guan's diction is compared to beautiful spring flowers. Certainly, the characteristics of aesthetics are embodied mainly "in his inherent graceful language" .
她们的词作塑造了女性文士的自我形象，展现了那个时代女性丰富的内心世界和深刻的精神苦闷。
Their word for a female scholars shaping the self-image, show women of that era rich inner world of the spirit and a profound depression.
假如纳兰容若不被关在金笼中，让他自由地在“林间自在啼”，他的词作又会是怎样一番气象呢？
What would happen on Nalan Rongruo's words, if he was not been shut in the cage, and be set free in the natural world?
假如纳兰容若不被关在金笼中，让他自由地在“林间自在啼”，他的词作又会是怎样一番气象呢？
What would happen on Nalan Rongruo's words, if he was not been shut in the cage, and be set free in the natural world?
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