介绍长沙老字号“火宫殿”现况及历史渊源，探析火宫殿文化中在湖湘文化影响下产生的火文化特征。
Introduce the situation and historical origin of "fiery palace" the old firm in Changsha, analysis fire culture of fiery palace culture the peculiar one in Hunan culture characteristic.
林、火、大地及天空在内的大自然的五大元素。这些特别的头饰也充分展示了中国的民间艺术及传统文化。
These special headpieces also display the uniqur folk and culture of China.
最后一章主要比较了双方作品中“水”与“火”意象的相同与差异，在“火”意象含义的区别中体现的是中西文化本源中的差异。
The last chapter points out the common meaning of the image "water". and probes into the causes to the diffrences between the image "fire" in the workes of Eliot and the nine Chinese poets.
不但没有十二生肖的文化传统，并且把“龙”瞅着是能吐火的巨大而神秘的会爬行的怪兽。
Not only the Chinese zodiac cultural traditions, and "dragon" looking at is the great and can spitting fire the crawling monster mysterious.
在人类文化史上，血火方式实现的文化交流较为突出。
In the history of the human culture, the achievement of the cultural exchange in the "blood and fire" mode is prominent.
新时期风风火火的散打王争霸赛反映了当代中国武术文化中深刻的思想内涵。
In recent years, the Sanda matches reflect the ideological intension of Contemporary Chinese Wushu Culture .
庄主十分喜爱中国的道教文化，因此将“火”和“谷”这两个跟道教相关的元素作为酒标，象征着这片产区的温暖、活力和多产。
The Taoist symbols for "fire" and "valley" have been chosen for the label to represent the warmth, strength, fertility and abundance that this special site offers.
内蒙古蒙元文化博物馆收藏一件有明确纪年的元代铜火铳，该器发现于元上都遗址东北达特淖日之东。
The gun in the collection of the Shangyuan Museum in Inner Mongolia is a clearly dated one discovered to the east of Datnor near the site of Upper Capital of the Yuan.
在文化交流的诸多方式中，血火方式是一种重要的方式。
The cultural exchange in the "blood and fire" mode has not only the passive function of damaging the culture, resricting the cultural exc.
火在人类文化习俗中曾获得超自然的、神秘的力量，篝火节的习俗正是这种现象的生动体现。
Fire in human cultural practices had access to the supernatural, the mysterious force, the customs section of the fire is a vivid manifestation of this phenomenon.
第二章，选取火前长沙商业文化繁荣状与火后商业文化凄惨状对比角度，论述长沙大火对城市商业文化造成的损失。
Chapter Two tells the damage to commerce caused by Shangsha fire, comparing the prosperity before the fire and the tragedy after.
第二章，选取火前长沙商业文化繁荣状与火后商业文化凄惨状对比角度，论述长沙大火对城市商业文化造成的损失。
Chapter Two tells the damage to commerce caused by Shangsha fire, comparing the prosperity before the fire and the tragedy after.
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