我放下《水浒传》，盯着它。
《水浒传》是一部“怒书”。
《水浒传》是中国四大著名古典小说之一。
Outlaws of the Marsh is one of the four famous Chinese classical literary works.
说到底，《水浒传》的英雄都是被逼出来的。
In the final analysis, "Water Margin" the heroes are forced out.
又是什么让他在《水浒传》中如此无足轻重？
她没有什么朋友，喜欢看《水浒传》这些大部头。
She is no friend, like to see "Water Margin" These are voluminous.
《水浒传》里的英雄们都是爱“打抱不平”的好汉。
现在我把自己寄托在《水浒传》里，好好参透名著。
Now I consider myself pinned in the "Outlaws of the Marsh", the classic good are penetrated.
那是去书店买《水浒传》的时候，书店搞活动时送我的。
That is to bookstores to buy "Water Margin", one bookstore engage in activities to send me.
当然，人家是《水浒传》里的好汉，而我只是一介女流。
"Of course, the people are" Water Margin "where the hero, but I'm just ordinary a woman."
我要多点看书，不仅仅局限于类似《水浒传》这样的名著。
I want more reading, not only limited to such as "Outlaws of the Marsh" such a classic.
关于《水浒传》作者的女性观，历来学者都有不同的看法。
Scholars always have different views on the author, Shi Nai'an 's observes about women in The Water Margin.
《水浒传》的思想内容很复杂，人们对它的看法也有争议。
The Tale of the Marshes is so complicated in ideological content that people have their widely differing views about it.
但我认为，女性形象的刻画在《水浒传》中占有十分重要的地位。
But I think the image of women portrayed in "the Water Margin" a very important position.
我放下手中的《水浒传》，打开电脑，轻车熟路地百度周公解梦。
I put down the "Water Margin", open the computer, hundreds of times to Baidu Duke of dream interpretation.
直到现在，看《水浒传》时，我真的想不起来奶奶笑起来的样子。
Until now, see "Water Margin", I really do not remember my grandmother laugh look.
在沙博里翻译的《水浒传》，这双重因素的存在也是不可避免的。
Seen from Shapiro s translation Outlaws of the Marsh, such phenomenon becomes inevitable.
第一章主要是比较元杂剧水浒戏与小说《水浒传》的背景与主题。
The first part makes a comparison on Chinese opera about the Shuihu in the Yuan dynasty and All men are brothers about the background and theme.
我像是置身于《水浒传》中，只要有一个人在受苦受难，我势必拔刀相助。
I like the exposure to the "Water Margin", as long as a person suffering, I am bound to his help.
例如我正在看《水浒传》，看了很久，但是现在连三分之一都还没有完成。
For example, I was watching "Three Kingdoms", watched for a long time, but now even one-third are not yet complete.
《水浒传》所体现的狂欢化叙事风格是中国叙事传统中一种历史悠久的叙述模式。
The kind of narration style is traditional and has a long history in China.
《水浒传》所体现的狂欢化叙事风格是中国叙事传统中一种历史悠久的叙述模式。
The kind of narration style is traditional and has a long history in China.
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