宋高宗书法是对传统帖学精华的直接传承，是典型的帖派书法；
Emperor Gaozong's calligraphy directly carried forward the traditional calligraphy, being typical calligraphy of Tie style.
它完全打破了传统二王帖学已经趋于僵化的模式，呈现出非常兴奋活跃的自由创造状态。
It have break tradition from Wang Xizhi and Wang Xianzhi is it become more and more stiff, showed very excited and free created state.
进入二十世纪，碑学成为书坛的主流，传统帖学开始走向边缘化，很少受到书家的关注。
Since the 1900s, Stele Theory has becoming the main trend of the calligraphy field, Model Calligraphy has been marginalized, and they were received little attention by the calligraphers.
20世纪以来，书法研究者常常以沈曾植为碑学大家，在一定程度上忽略了他在帖学方面的成就。
Investigators have usually treated Shen as a great master on "Bei" School, but ignored his achievements on "Tie" to some extent since 20th century.
第二章首先探讨沈曾植书论中强烈的“扬帖”思想，然后重点阐述沈曾植“尊晋”、“褒唐”的帖学观念；
Chapter Two will firstly discuss the keen thoughts of "Raising 'Tie'" in Shen and then emphasize on the concepts of "Respecting Jin" and "Praising Tang".
以下内容来自博斯韦尔集团有限责任公司主管，精神病学和心理分析学家KerrySulkowicz的客帖。
The following is a guest post by Kerry Sulkowicz, a psychiatrist and psychoanalyst who is the managing principal of Boswell Group LLC.
以下内容来自博斯韦尔集团有限责任公司主管，精神病学和心理分析学家KerrySulkowicz的客帖。
The following is a guest post by Kerry Sulkowicz, a psychiatrist and psychoanalyst who is the managing principal of Boswell Group LLC.
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