帖学，是指研究法帖的源流优劣以及书迹的真伪等的一门学问，也是指崇尚魏晋以下法帖的书法学派，与“碑学”相对。帖学有“学晋”“晋唐行草小楷”“主要学阁帖”等三种基本含义。其发端建立在北宋时期《淳化阁贴》的辗转翻刻传拓的基础上，其研究对象主要指的是墨本与刻石的拓片或拓本。帖学以手札、书信为主，多忠实于原迹，比较真实的反映了书作者的原本写字风格。
Liang's Calligraphy knowledge was not only a conclusion, inheritance and introspection of the Calligraphy knowledge in the early and mid-Qing Dynasty, but also a concentrated expression of the last systematic of the Qing Dynasty the study of note.
梁同书的书学思想体系,不仅是对清前、中期书学思想的总结、继承和反思,也是清代帖学内部最后一次体系化的集中表现。
参考来源 - 梁同书书学思想研究·2,447,543篇论文数据，部分数据来源于NoteExpress
宋高宗书法是对传统帖学精华的直接传承，是典型的帖派书法；
Emperor Gaozong's calligraphy directly carried forward the traditional calligraphy, being typical calligraphy of Tie style.
进入二十世纪，碑学成为书坛的主流，传统帖学开始走向边缘化，很少受到书家的关注。
Since the 1900s, Stele Theory has becoming the main trend of the calligraphy field, Model Calligraphy has been marginalized, and they were received little attention by the calligraphers.
20世纪以来，书法研究者常常以沈曾植为碑学大家，在一定程度上忽略了他在帖学方面的成就。
Investigators have usually treated Shen as a great master on "Bei" School, but ignored his achievements on "Tie" to some extent since 20th century.
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