• 布列松对你而言有什么意义?

    What is Bresson's significance for you?

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  • 你最喜爱的布列松的电影是哪部,为什么?。

    What is your favourite Bresson film and why?

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  • 可以的话,你有从布列松的电影里借鉴过什么?

    What, if anything, have you borrowed from Bresson's cinema?

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  • 布列松说过:“摄影师像蝴蝶,在一幅幅照片间振翅飞翔”。做一只蝴蝶吧!

    HCB once said: "Photographers are like butterflies. They flutter from photo to photo." Be a butterfly.

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  • 照相机越来越小,摄影杂志越做越大,卡蒂埃·布列松成了奔波于全球的摄影家。

    As cameras grew smaller and picture magazines bigger, Cartier-Bresson became a globe-trotting hired hand.

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  • 这些照片齐聚一堂,不但显示卡蒂埃·布列松的题材广泛,还展现了他拍摄群像的才能。

    The juxtaposition of these images shows not just Cartier-Bresson’s range but also his gift for group portraits.

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  • 在同一份作品中,艾格尔斯顿引用了卡地亚。布列松的书《决定时刻》作为对自己的影响之作。

    In the same piece of writing, Eggleston cites Henri Cartier-Bresson's book, the Decisive Moment, as an influence.

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  • 布列松用胶卷机同一个镜头,没有闪光灯,同样的快门——他不需要最新的数码设备也可以拍好照片。

    Cartier-Bresson used film camera, same lens, no flash, same shutter speed - he didn't need the newest digital equipment to take great photos.

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  • 亨利?卡蒂埃?布列松曾经说过,成为摄影师的必备条件不过是“一根手指、一只眼睛和两条腿”。

    ALL IT takes to be a photographer, Henri Cartier-Bresson once said, is "one finger, one eye and two legs".

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  • 回想当年我刚开始摄影的时候,我还是旧金山艺术学院的学生,所学的摄影法是罗伯·法兰克以及布列松那种的。

    It harkens back to when I first started photography and I was a student at the 5an Francisco art Institute, and the kind of photography that I was taught was, you know Robert Frank, Cartier-Bresson.

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  • 罗伯特·布列松(1901—1999)在影史是独一无二的,五十年来只拍了13作,你不难在银幕一眼认出他的作品。

    Robert Bresson (1901-1999) in the film is the one and only, fifty years only took 13, you can easily recognize a screen in his works.

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  • 逐渐清晰起来了,对于布列松而言,“电影书写”是别有特意的。是一种创造性的电影制作,是对电影本身特质的一种彻底开拓。

    As will become clear, "cinematography" for Bresson has the special meaning of creative film making which thoroughly exploits the nature of film as such.

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  • 本次摄影展筹备多年,展品主要来自巴黎亨利·卡蒂埃·布列松基金会的大量作品档案,该基金会于2004年布列松逝世前成立。

    The show, many years in the making, is drawn primarily from the huge archive of work held by the Henri Cartier-Bresson Foundation in Paris, founded a year before he died in 2004.

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  • 卡帕、布列松和他们的伙伴们在巴黎创立马格南(Magnum)合作社时,这群摄影师希望他们的镜头能行动起来,在全球各地为杂志采集影像。

    When Capa, Bresson and their friends founded Magnum Photo Agency, they hoped that their camera lenses could take actions in capturing images for magazines all around the world.

    youdao

  • 卡帕、布列松和他们的伙伴们在巴黎创立马格南(Magnum)合作社时,这群摄影师希望他们的镜头能行动起来,在全球各地为杂志采集影像。

    When Capa, Bresson and their friends founded Magnum Photo Agency, they hoped that their camera lenses could take actions in capturing images for magazines all around the world.

    youdao

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