这些照片齐聚一堂，不但显示卡蒂埃·布列松的题材广泛，还展现了他拍摄群像的才能。
The juxtaposition of these images shows not just Cartier-Bresson’s range but also his gift for group portraits.
布列松用胶卷机同一个镜头，没有闪光灯，同样的快门——他不需要最新的数码设备也可以拍好照片。
Cartier-Bresson used film camera, same lens, no flash, same shutter speed - he didn't need the newest digital equipment to take great photos.
布列松说过：“摄影师像蝴蝶，在一幅幅照片间振翅飞翔”。做一只蝴蝶吧！
HCB once said: "Photographers are like butterflies. They flutter from photo to photo." Be a butterfly.
亨利?卡蒂埃?布列松曾经说过，成为摄影师的必备条件不过是“一根手指、一只眼睛和两条腿”。
ALL IT takes to be a photographer, Henri Cartier-Bresson once said, is "one finger, one eye and two legs".
照相机越来越小，摄影杂志越做越大，卡蒂埃·布列松成了奔波于全球的摄影家。
As cameras grew smaller and picture magazines bigger, Cartier-Bresson became a globe-trotting hired hand.
布列松对你而言有什么意义？
可以的话，你有从布列松的电影里借鉴过什么？
回想当年我刚开始摄影的时候，我还是旧金山艺术学院的学生，所学的摄影法是罗伯·法兰克以及布列松那种的。
It harkens back to when I first started photography and I was a student at the 5an Francisco art Institute, and the kind of photography that I was taught was, you know Robert Frank, Cartier-Bresson.
本次摄影展筹备多年，展品主要来自巴黎亨利·卡蒂埃·布列松基金会的大量作品档案，该基金会于2004年布列松逝世前成立。
The show, many years in the making, is drawn primarily from the huge archive of work held by the Henri Cartier-Bresson Foundation in Paris, founded a year before he died in 2004.
卡帕、布列松和他们的伙伴们在巴黎创立马格南（Magnum）合作社时，这群摄影师希望他们的镜头能行动起来，在全球各地为杂志采集影像。
When Capa, Bresson and their friends founded Magnum Photo Agency, they hoped that their camera lenses could take actions in capturing images for magazines all around the world.
卡帕、布列松和他们的伙伴们在巴黎创立马格南（Magnum）合作社时，这群摄影师希望他们的镜头能行动起来，在全球各地为杂志采集影像。
When Capa, Bresson and their friends founded Magnum Photo Agency, they hoped that their camera lenses could take actions in capturing images for magazines all around the world.
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