布列松对你而言有什么意义？
你最喜爱的布列松的电影是哪部，为什么?。
可以的话，你有从布列松的电影里借鉴过什么？
布列松说过：“摄影师像蝴蝶，在一幅幅照片间振翅飞翔”。做一只蝴蝶吧！
HCB once said: "Photographers are like butterflies. They flutter from photo to photo." Be a butterfly.
照相机越来越小，摄影杂志越做越大，卡蒂埃·布列松成了奔波于全球的摄影家。
As cameras grew smaller and picture magazines bigger, Cartier-Bresson became a globe-trotting hired hand.
这些照片齐聚一堂，不但显示卡蒂埃·布列松的题材广泛，还展现了他拍摄群像的才能。
The juxtaposition of these images shows not just Cartier-Bresson’s range but also his gift for group portraits.
在同一份作品中，艾格尔斯顿引用了卡地亚。布列松的书《决定时刻》作为对自己的影响之作。
In the same piece of writing, Eggleston cites Henri Cartier-Bresson's book, the Decisive Moment, as an influence.
布列松用胶卷机同一个镜头，没有闪光灯，同样的快门——他不需要最新的数码设备也可以拍好照片。
Cartier-Bresson used film camera, same lens, no flash, same shutter speed - he didn't need the newest digital equipment to take great photos.
亨利?卡蒂埃?布列松曾经说过，成为摄影师的必备条件不过是“一根手指、一只眼睛和两条腿”。
ALL IT takes to be a photographer, Henri Cartier-Bresson once said, is "one finger, one eye and two legs".
回想当年我刚开始摄影的时候，我还是旧金山艺术学院的学生，所学的摄影法是罗伯·法兰克以及布列松那种的。
It harkens back to when I first started photography and I was a student at the 5an Francisco art Institute, and the kind of photography that I was taught was, you know Robert Frank, Cartier-Bresson.
罗伯特·布列松(1901—1999)在影史是独一无二的，五十年来只拍了13作，你不难在银幕一眼认出他的作品。
Robert Bresson (1901-1999) in the film is the one and only, fifty years only took 13, you can easily recognize a screen in his works.
逐渐清晰起来了，对于布列松而言，“电影书写”是别有特意的。是一种创造性的电影制作，是对电影本身特质的一种彻底开拓。
As will become clear, "cinematography" for Bresson has the special meaning of creative film making which thoroughly exploits the nature of film as such.
新修复四作在电影节打响头炮，布列松回顾展共十二部经典将于五月至七月的电影节发烧友接力放映，让影迷重温大师的光影传奇。
In four new repair Film festival kicks off, Bresson retrospective twelve classic will be held from May to July the festival fancier relay screenings, let fans relive the legendary master of light.
本次摄影展筹备多年，展品主要来自巴黎亨利·卡蒂埃·布列松基金会的大量作品档案，该基金会于2004年布列松逝世前成立。
The show, many years in the making, is drawn primarily from the huge archive of work held by the Henri Cartier-Bresson Foundation in Paris, founded a year before he died in 2004.
卡帕、布列松和他们的伙伴们在巴黎创立马格南（Magnum）合作社时，这群摄影师希望他们的镜头能行动起来，在全球各地为杂志采集影像。
When Capa, Bresson and their friends founded Magnum Photo Agency, they hoped that their camera lenses could take actions in capturing images for magazines all around the world.
卡帕、布列松和他们的伙伴们在巴黎创立马格南（Magnum）合作社时，这群摄影师希望他们的镜头能行动起来，在全球各地为杂志采集影像。
When Capa, Bresson and their friends founded Magnum Photo Agency, they hoped that their camera lenses could take actions in capturing images for magazines all around the world.
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