巴兰茨夫人希望能在女儿身边听她的倾诉。
Mrs. Barrantes longs to be at her daughter's side to offer her a shoulder to cry on.
这一认识，改变了弗兰茨的写作方法。
1604年，弗兰茨去世，享年47岁。
弗兰茨·维索特是一位法国的插画师。
弗兰茨被她的威胁迷惑了。
他十二岁那年，母亲被弗兰茨的父亲抛弃，突然发现自己很孤单。
When he was twelve, she suddenly found herself alone, abandoned by Franz's father.
在弗兰茨眼中，如果萨宾娜是一个女人，他妻子克劳迪又是什么呢？
But if Sabina was, in Franz's eyes, a woman, then what was his wife, Marie-Claude?
1863年，纽兰茨所作。他将56种元素按原子量上升次序排列。
An arrangement of 56 elements in order of ascending atomic weight made by Newlands in 1863.
题头图为德国兰茨胡特附近伊森巴赤伊萨尔河边的伊萨尔二期核电厂。
The nuclear power plant Isar II is pictured next to the river Isar in Essenbach near Landshut, Germany. Photograph: Alexandra Beier/Getty Images
援助最终要取得成功，非洲与国际社会必须建立互信关系，帕姆兰茨说。
Ultimately though, for aid to succeed, Africa and its international partners must develop trusting relationships, says Pomerantz.
我猜想，唯一的解释就是弗兰茨的爱情不是他社会生活的延展，而是相反。
The only explanation I can suggest is that for Franz, love was not an extension of public life but its antithesis.
弗兰茨的联想总是一些熟悉的比喻，如：正直的太阳，理智的光辉，等等。
Franz's associations were familiar metaphors: the sun of righteousness, the lambent flame of the intellect, and so on.
对弗兰茨来说，音乐能使人迷醉，是一种最接近于酒神狄俄尼索斯之类的艺术。
For Franz music was the art that comes closest to Dionysian beauty in the sense of intoxication.
兰茨用颤抖的声音说，没有哪一天我不想起这件事，所以我知道这些家庭承受了什么样的痛苦。
'There's not a day that goes by that I don't think of that,' Mr. Lentz said in a quivering voice. 'So I know what these families are going through.'
随后沃尔特·兰茨接手该系列，他在10年时间里共创作150余部奥斯瓦尔德作品。
Then Walter Lantz took over the series and, over the next 10 years, produced more than 150 Oswalds of his own.
如果我把萨宾娜与路兰茨的谈话记下来，可以编出一本厚厚的有关他们误解的词汇录。
If I were to make a record of all Sabina and Franz's conversations, I could compile a long lexicon of their misunderstandings.
像许多巨大的地毯似的，这种碳纤维纺织品离开工厂，向兰茨胡特的巴伐利亚城席卷而去。
The carbon fiber textiles leave the factory rolled up like so many enormous carpets, bound for the Bavarian city of Landshut.
兰茨用颤抖的声音说，没有哪一天我不想起这件事，所以我知道这些家庭承受了什么样的痛苦。
'There's not a day that goes by that I don't think of that,' Mr. Lentz said in a quivering voice. 'So I know what these families are going through.
渐渐地，他决定致力于创造一种犹太艺术，用绘画来描绘他的偶像弗兰茨·卡夫卡笔下的恐惧和错位。
Gradually, he decided to strive to produce a Jewish art, depicting in paint the fear and dislocation that his idol, Franz Kafka, had encapsulated in words.
兰茨在听证会上讲了2个多小时，期间，众议员埃利奥特恩格尔曾置疑，丰田会不会还有什么出人意料的事发生。
At one point in more than two hours of testimony Lentz was asked by Rep. Eliot Engel, whether there were any new bombshells to come.
弗兰茨·卡夫卡的《变形记》是一部现代文学的早期作品，所讲述的故事虽然短小精悍但却震撼有力。
A major piece in early modernist literature, The Metamorphosis by Franz Kafka is a short, simple yet powerful story.
在弗兰茨那里，“光明”不会与某张日暖风和的风景画相联系，而会使他想起光源本身：太阳，灯泡，聚光灯。
In Franz the word light did not evoke the picture of a landscape basking in the soft glow of day; it evoked the source of light itself: the sun, a light bulb, a spotlight.
“我们将彻底调查此事，找出问题的根源。人们对此非常关心，”加利福尼亚农业联盟署发言人大卫·克兰茨说。
"We're trying to get to the bottom of this and figure out what happened. everybody is terribly concerned," said Dave kranz, a spokesman for the California farm bureau federation.
弗兰茨·李斯特作为世界上最伟大作曲家、钢琴家为后世留下了大量影响深远、形式鲜明、激情澎湃的音乐作品。
Fulanci Liszt, as the greatest composer and pianist in the world , left lots of music work for later generation which is with extensive influences , bright in form and aspiring in melody.
答案在一本叫<弗兰茨卡夫卡>的杂志上的一个车库专栏中作出了解答:"很久以前 半吨的小型卡车能拖拉半吨的货物."
The answer, in the magazine’s Franz Kafka’s Garage column, is: “Long ago, half-ton pickups could haul half a ton.” But competition led to more capable trucks, though the name did not change.
8月17日，德国柏林东北部城市旧兰茨贝格，一家自行车店的老板之一彼得森一边把头伸出窗外，一边摆出姿势让一家媒体照相。
On August 17, Petersen, co-owner of a bicycle shop looked out of a window of the shop as he posed for the media in Altlandsberg, North-East of Berlin, Germany.
它在美国主要市场的报纸上打出广告解释情况，其美国销售部门负责人兰茨(JimLentz)也开始接受一系列电视采访。
It took out newspaper ads explaining the situation in major U. s. markets, and the head of its U. s. sales arm, Jim Lentz, began a round of television interviews.
决赛，西德主教练海尔·穆特•绍恩清楚地知道英格兰阵中的危险人物是谁，他指派了年轻却极具天分的弗兰茨·贝肯·鲍尔来一对一盯防查尔顿。
In the final, West German manager Helmut Schon knew exactly who England's danger man was and assigned a young yet precociously talented Franz Beckenbauer to a man-marking role.
决赛，西德主教练海尔·穆特•绍恩清楚地知道英格兰阵中的危险人物是谁，他指派了年轻却极具天分的弗兰茨·贝肯·鲍尔来一对一盯防查尔顿。
In the final, West German manager Helmut Schon knew exactly who England's danger man was and assigned a young yet precociously talented Franz Beckenbauer to a man-marking role.
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