慢乐章开头是一段大提琴独奏。
缓慢的主旋律引出了第一乐章。
《葬礼进行曲》不是《英雄交响曲》的最后乐章，而是第二乐章，这并非偶然。
It is not by chance that the Funeral March is not the last movement of the Eroica Symphony, but the second.
乐曲渐变到一个激动人心的末乐章。
大多数第一乐章的速度标记是行板、柔板或广板。
The tempo marking in most cases is andante, adagio, or largo.
有些乐曲可能长达40分钟，需要多达50次翻页，其中包括为演奏重复乐章时的回翻。
Some pieces of music can go for 40 minutes and require up to 50 page turns, including back turns for repeat passages.
它是怎样和第一乐章联系起来的？
这就是三乐章钢琴协奏曲的概述。
All right. So that's an introduction to a three-movement piano concerto.
第四乐章有贝多芬第九交响曲的味道。
The fourth movement has a flavor of the final movement in Beethoven's 9th Symphony.
第一乐章，富有表现力的同时又不失轻盈。
The first movement, although expressive, maintains a lightness in thesound.
还会有更多的华彩乐章将在你面前展开。
交响乐一般有四个乐章
我们是您人生的乐章。
这部交响乐的第一乐章是很优美的。
这首乐章是贝多芬《第七号交响曲》中最受欢迎的。
This movement is the most popular of Beethoven's Symphony No. 7.
第三乐章的小步舞曲带来宫廷舞会和高级茶会的景象。
The third movement menuetto brings images ofcourtly balls and high tea.
末乐章巧妙地结束了交响曲，使听众愉快而充实地回家。
The final movement expertly brings closure to the symphony and sends the audience home happy and content.
第三和第四乐章给这一古典交响曲提供了一个愉快的结局。
The third and fourthmovements provide a delightful ending to this classical symphony.
第八：《第二乐章》，出自贝多芬的《第七号交响曲》。
写这篇文章时，我脑子里仍然是舒曼最后乐章结尾处的赋格曲。
As I write, my head is still full of the fugue at the end of the last movement of the Schumann.
我们讲完这种风格和它的四个乐章，下面要探讨的是钢琴协奏曲。
We finished with this idea of the genre, of the four movements, so then let's go on to talk about the piano concerto.
我们讲完这种风格和它的四个乐章，下面要探讨的是钢琴协奏曲。
We finished with this idea of the genre, of the four movements, so then let's go on to talk about the piano concerto.
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