根据哈特曼巧妙的论点，这就是这个比喻最后的乐章，他称之为反计。
It's this final movement of the simile, according to this ingenious argument by Geoffrey Hartman, that Hartman calls the counter-plot.
乐曲渐变到一个激动人心的末乐章。
大多数第一乐章的速度标记是行板、柔板或广板。
The tempo marking in most cases is andante, adagio, or largo.
《葬礼进行曲》不是《英雄交响曲》的最后乐章，而是第二乐章，这并非偶然。
It is not by chance that the Funeral March is not the last movement of the Eroica Symphony, but the second.
有些乐曲可能长达40分钟，需要多达50次翻页，其中包括为演奏重复乐章时的回翻。
Some pieces of music can go for 40 minutes and require up to 50 page turns, including back turns for repeat passages.
第二乐章的编曲又似一支牧歌。
The orchestration in the second movement gives its pastoralsound.
这就是三乐章钢琴协奏曲的概述。
All right. So that's an introduction to a three-movement piano concerto.
第一乐章，富有表现力的同时又不失轻盈。
The first movement, although expressive, maintains a lightness in thesound.
第四乐章的成功编曲是交响曲在绝对胜利中结束。
The triumphant orchestration inthe forth movement concludes the symphony in absolute victory.
第三乐章的小步舞曲带来宫廷舞会和高级茶会的景象。
The third movement menuetto brings images ofcourtly balls and high tea.
交响诗都是单乐章的，所以我们又了解到一种音乐风格。
So tone poems are one in movement, and we have got other kinds of genres in music.
末乐章巧妙地结束了交响曲，使听众愉快而充实地回家。
The final movement expertly brings closure to the symphony and sends the audience home happy and content.
第三乐章开始于和谐的旋律，这一旋律也是贯穿其整体的。
The third movement opens with a unison melody which remainsthroughout its entirety.
第三和第四乐章给这一古典交响曲提供了一个愉快的结局。
The third and fourthmovements provide a delightful ending to this classical symphony.
这有一个小调的好例子，来自贝多芬第三交响乐的第二乐章。
Here's a good example of a minor from the second movement of Beethoven's Third Symphony.
写这篇文章时，我脑子里仍然是舒曼最后乐章结尾处的赋格曲。
As I write, my head is still full of the fugue at the end of the last movement of the Schumann.
我们讲完这种风格和它的四个乐章，下面要探讨的是钢琴协奏曲。
We finished with this idea of the genre, of the four movements, so then let's go on to talk about the piano concerto.
第八：《第二乐章》，出自贝多芬的《第七号交响曲》。
好，如果你去听一部贝多芬中期的交响乐，每一乐章大概15分钟左右。
Okay. If you go to hear a symphony of mid-Beethoven, on — each movement will probably last fifteen minutes.
这就是查克·曼卓林，和他的萨克斯手一起演出的一段华彩乐章。
So here's Chuck Mangione with his saxophonist and a saxophone cadenza.
沃特·迪斯尼的‘幻想曲’给卡通角色配以了著名作曲家的乐章。
Walt Disney's "Fantasia" paired cartoon characters with famous composers.
终乐章需要听众全神贯注，直到最后一个和弦结束后才能放松下来。
The last movement forced a degree of awed concentration out of the listeners, finding release only with the final chord.
这可能是贝多芬最伟大的作品，几乎所有人都知道末乐章的"欢乐颂"大合唱。
Possibly Beethoven's greatest work, almost everyone knows the "Ode to Joy" chorus of the final movement.
第二乐章欢乐的节奏会使你不由自主地舞蹈；它是任何海顿爱好者的"流行"音乐。
The upbeat rhythms of the secondmovement are sure to make you dance; it's any Haydnlover's "pop" music.
第二乐章不像第一乐章那么“重”，这使它在缓和前面的同时而又不失辉煌。
The second movement is not as "heavy" as the first making it an excellent relief without losing its harmonic brilliance.
为找到答案，科学家们征募了一些志愿者，他们一听到感人的乐章就会颤抖。
To find out, scientists recruited subjects who reliably get shivers when they listen to an affecting score.
它虚无飘渺的旋律线，重复的贯穿于整个乐章。随着它演奏的进展，会带给听众带来寒意。
Its ethereal melodic line, repeated throughout the movement's entirety, gives its listeners chills as it progresses.
贝多芬《第七号交响曲》中的《第二乐章》或者叫《葬礼进行曲》，是一首非常难忘的作品。
The second movement, or Funeral March, of Beethoven's Symphony No. 7 is an extremely memorable piece.
贝多芬《第七号交响曲》中的《第二乐章》或者叫《葬礼进行曲》，是一首非常难忘的作品。
The second movement, or Funeral March, of Beethoven's Symphony No. 7 is an extremely memorable piece.
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