But there's a difference in Yeats.
但叶芝有所不同。
And this is our glory, Yeats says.
这是我们的光荣,叶芝说到。
The lyrics almost read like a W.B. Yeats poem.
歌词读起来几乎就象叶芝的诗。
For Wednesday — This is my — our first Yeats lecture.
星期三是我们第一次关于叶芝的课程。
In fact, as Yeats declares, the fisherman does not exist.
实际上如叶芝所说,渔夫并不存在。
In fact, Yeats is still writing about a solitary fisherman.
实际上,叶芝所写的还是,一个孤独的渔夫。
But Yeats doesn't answer the question, does he? Well, why not?
但叶芝没有回答这个问题,为什么他不回答呢?
Well, how does Yeats stand in relation to the events he's describing?
那么,叶芝是怎么处理,他和他所描写的事件的关系的呢?
Well, that's enough for today, and we will continue Yeats on Wednesday.
好,今天就到这里,周三我们继续我们的叶芝之旅。
Yeats is throwing off his early work as if throwing off a kind of costume.
叶芝抛弃了他的早期作品,就像抛弃一件外套一样。
Ever since I first picked up a book of his poems, Yeats had been my favorite writer.
自从我第一次拿起叶芝的诗集开始,他就一直是我最喜欢的作家。
He lives in Brooklyn with his wife Diane and four cats, Whitman, Yeats, Poe and Emily.
他与妻子黛安娜和4只猫(惠特曼、叶芝、爱伦坡和艾米丽)住在布鲁克林。
It's a longish poem, not in your anthology, but you can find it in The Complete Yeats.
这是一首很长的诗,你们的选集里没有,但在《叶芝诗选》里可以找到。
Later in this same passage Yeats resumes his argument for the Rose as an Irish symbol.
后来在这同一篇文章里,叶芝再次提到把玫瑰作为爱尔兰象征的观点。
You could go to Yeats' poem Adam's Curse to see how the poet talks about this aesthetic ideal.
你可以去看看叶芝的诗歌《亚当的诅咒》,看看诗人是如何谈论这一美学理想的。
Education is not the filling of a pail, but the lighting of a fire. William Yeats, Irish poet.
教育不是注满一桶水,而是点燃一团生命的火焰。
Education is not the filling of a pail, but the lighting of a fire. -w. B. Yeats, English poet.
教育不是注满一桶水,而是点燃一把火。—w。B。叶芝,英国诗人。
Education is not filling a bucket but lighting a fire — William Butler Yeats, Irish poet, dramatist.
教育不是填满一个水桶而是点燃一堆火- - -威廉·巴特勒·叶芝,爱尔兰诗人和剧作家。
Here, this destruction brings forth a new order, a new form of life that Yeats calls "terrible beauty."
这时,毁灭带来了新秩序,带来了新生活,叶芝称之为,惊人之美。
Pablo Picasso, Charles Darwin, Mark Twain, Oliver Goldsmith, and William Butler Yeats all disliked school.
巴勃罗·毕加索、查尔斯·达尔文、马克·吐温、奥利弗·戈德史密斯和威廉·巴特勒·叶芝都不喜欢上学。
This is the Wind Among the Reeds, author William Butler Yeats, the year 1899, on the verge of the new century.
这是威廉·巴特勒·叶芝的《苇间风》,在新世纪即将到来之际的1899年出版。
Yeats seems to be reversing this trick in "The Fisherman," which seems to be converting myth back into reality.
叶芝好像在《渔夫》一诗中,进行了这一转变,似乎把神话变成了现实。
Wilde is also a friend of Yeats, but Yeats' poetry has indeed undergone important and notable stylistic changes.
王尔德也是叶芝的朋友,但叶芝的诗歌的确经历了重要的值得一提的风格上的改变。
Wilde is also a friend of Yeats, but Yeats' poetry has indeed undergone important and notable stylistic changes.
王尔德也是叶芝的朋友,但叶芝的诗歌的确经历了重要的值得一提的风格上的改变。
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