For Wednesday — This is my — our first Yeats lecture.
星期三是我们第一次关于叶芝的课程。
In fact, as Yeats declares, the fisherman does not exist.
实际上如叶芝所说，渔夫并不存在。
But Yeats doesn't answer the question, does he? Well, why not?
但叶芝没有回答这个问题，为什么他不回答呢？
Well, how does Yeats stand in relation to the events he's describing?
那么，叶芝是怎么处理，他和他所描写的事件的关系的呢？
He lives in Brooklyn with his wife Diane and four cats, Whitman, Yeats, Poe and Emily.
他与妻子黛安娜和4只猫(惠特曼、叶芝、爱伦坡和艾米丽)住在布鲁克林。
Ever since I first picked up a book of his poems, Yeats had been my favorite writer.
自从我第一次拿起叶芝的诗集开始，他就一直是我最喜欢的作家。
It's a longish poem, not in your anthology, but you can find it in The Complete Yeats.
这是一首很长的诗，你们的选集里没有，但在《叶芝诗选》里可以找到。
Later in this same passage Yeats resumes his argument for the Rose as an Irish symbol.
后来在这同一篇文章里，叶芝再次提到把玫瑰作为爱尔兰象征的观点。
You could go to Yeats' poem Adam's Curse to see how the poet talks about this aesthetic ideal.
你可以去看看叶芝的诗歌《亚当的诅咒》，看看诗人是如何谈论这一美学理想的。
Education is not the filling of a pail, but the lighting of a fire. William Yeats, Irish poet.
教育不是注满一桶水，而是点燃一团生命的火焰。
Education is not the filling of a pail, but the lighting of a fire. -w. B. Yeats, English poet.
教育不是注满一桶水，而是点燃一把火。—w。B。叶芝，英国诗人。
Education is not filling a bucket but lighting a fire — William Butler Yeats, Irish poet, dramatist.
教育不是填满一个水桶而是点燃一堆火- - -威廉·巴特勒·叶芝，爱尔兰诗人和剧作家。
Here, this destruction brings forth a new order, a new form of life that Yeats calls "terrible beauty."
这时，毁灭带来了新秩序，带来了新生活，叶芝称之为，惊人之美。
Pablo Picasso, Charles Darwin, Mark Twain, Oliver Goldsmith, and William Butler Yeats all disliked school.
巴勃罗·毕加索、查尔斯·达尔文、马克·吐温、奥利弗·戈德史密斯和威廉·巴特勒·叶芝都不喜欢上学。
This is the Wind Among the Reeds, author William Butler Yeats, the year 1899, on the verge of the new century.
这是威廉·巴特勒·叶芝的《苇间风》，在新世纪即将到来之际的1899年出版。
Yeats seems to be reversing this trick in "The Fisherman," which seems to be converting myth back into reality.
叶芝好像在《渔夫》一诗中，进行了这一转变，似乎把神话变成了现实。
Wilde is also a friend of Yeats, but Yeats' poetry has indeed undergone important and notable stylistic changes.
王尔德也是叶芝的朋友，但叶芝的诗歌的确经历了重要的值得一提的风格上的改变。
Yeats, in Adam's Curse, regrets that the beautiful is something to be labored for and he wants to conceal that labor.
在《亚当的诅咒》中，叶芝遗憾道，这种美丽是值得为之劳作的，他想掩盖这种劳作。
Yeats, in "Adam's Curse", regrets that the beautiful is something to be labored for and he wants to conceal that labor.
在《亚当的诅咒》中，叶芝遗憾地说，美丽是值得为之努力的，他想隐藏这种努力。
Short of the impossible, as Yeats put it, the satisfaction we get from a lifetime depends on how high we choose our difficulties.
正如叶芝所言，除了不可为的事情外，我们一生所获得的满足感有多强，则取决于我们所选择的困难有多大。
Short of the impossible, as Yeats put it, the satisfaction we get from a lifetime depends on how high we choose our difficulties.
正如叶芝所言，除却某些不可能的情形，我们于人生中所获取的满足皆取决于我们在多高的境界中选择我们所愿意面对的艰难困苦。
Short of the impossible, As Yeats put it, the satisfaction we get from a lifetime depends on how high we choose our difficulties.
如叶芝所言，除去不可能之事，我们一生获得的满足有多大，取决于我们选择的困难程度有多高。
Listen to how quickly Yeats modulates from one feeling, one image, to another in these really very short, quick, three-beat lines.
听一听叶芝是怎么快速地，从一种情绪，一个情景中，转换到另一个里去的，就在这些三音韵的短诗句中。
Birthplace of Beckett, Joyce, and Yeats, Ireland's capital and largest city is a youthful arts, entertainment, culture, and commerce hub.
爱尔兰的首都孕育了贝克特、乔伊斯和叶芝；它是爱尔兰最大的城市，富年轻活力，是爱尔兰的艺术、娱乐、文化和商业中心。
Yeats takes on self-consciously staged identities, requiring costumes, and he sees other people in similarly theatrical and mythic terms.
叶芝扮演了一种不自然的舞台身份，需要服装，他以同样戏剧化和神话化的方式看待他人。
And in fact today, right now, we're going to move back the furthest we go, all the way into the nineteenth century to talk about the early Yeats.
实际上今天，现在，我们会回到很早的时候，直到十九世纪，来谈谈早期的叶芝。
And in fact today, right now, we're going to move back the furthest we go, all the way into the nineteenth century to talk about the early Yeats.
实际上今天，现在，我们会回到很早的时候，直到十九世纪，来谈谈早期的叶芝。
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