他靠说单口相声为生。
大山已经学了几十年相声，他想把它和西方传统的单口喜剧结合起来。
Dashan, who has been learning crosstalk for decades, wants to mix it up with the Western stand-up tradition.
你还可以享受曲艺盛宴：相声、口技以及评书。
Also, you can enjoy a feast of varieties of quyi: crosstalk, kouji and pingshu.
如果你真的是一个优秀的单口相声演员，它可以带来数百万美元的收入，这听起来很有趣。
If you're really good as a stand-up comedian, it can lead to making millions of dollars, which sounds pretty fun.
相声演员郭德纲也在片中客串了一个片段。
Crosstalk comedian Guo Degang makes a cameo appearance in the movie.
安东尼：嗯，我的梦想是成为单口相声家。
这个相声确实很幽默。
有人问一位著名的相声演员对美国访问的印象，他回答说。
When a famous cross-talk actor was asked about his impression of his visit to the United States, he replied.
在本论文中，关联理论被用来分析中国相声中的幽默。
In this thesis relevance theory is used to analyze the humor in Chinese cross talk.
但是莱蒂齐亚好像从未做过首相声称使他们相遇的工作。
But Mr Letizia seems never to have done the job that the prime minister claimed brought them together.
相声及其变体包袱式手机短信是中国言语幽默的典型代表。
Crosstalk and the variants of it-the short messages of mobile phone, are typical representative of Chinese verbal humor.
与其听唱歌，我还是比较喜欢春晚的相声，小品，舞蹈等节目。
Rather listen to singing, I still prefer the Spring Festival Evening of comic dialogue, comedy, dance performances.
我认为，如果内容和形式不现实主义化，相声就会丧失生命力。
In the author's opinion, if content and forms do not follow the trend of realism, cross talk will lose its vitality.
郭德纲是已故相声大师侯耀文的学生，是新一代相声传承人之一。
Guo, a student of late crosstalk maestro Hou Yaowen, has been one of new torchbearers for the art.
我的第四部戏《那一夜，我们说相声》(1985)是一个突破。
My fourth play, "That Evening, We Performed Crosstalk" (1985), was a breakout work.
他们(相声演员)还可以稍加打扮，在哈哈大笑的观众面前演小品。
They may also dress up a little or act out small sketches in front of the laughing audience.
这是郭德纲在茶馆里演相声的开场白，然后他就会被奉上如雷的掌声。
Guo began one show in a teahouse, followed by a hearty round of applause.
在90年代，像阿基拉相声这些日本血统的巴西人来到日本是为了寻找工作。
In the 1990s, the number of Japanese Brazilians who came to Japan in search of work, like Mr. Saito, surged.
在北京学习期间，罗斯韦尔开始对中国的表演艺术，尤其是相声，产生了兴趣。
While in Beijing, Rowswell became interested inChinese performing arts, particularly xiangsheng, a popular form ofcomic dialogue.
本文以顺应—关联模式为理论框架，对侯宝林相声中的言语幽默进行了探讨。
This thesis presents a pragmatic study of verbal humor in Hou Baolin's cross talk in the light of Adaptation-Relevance theoretical model.
对关联理论下这些原则和理论的了解，将帮助人们更好的理解和欣赏相声中的幽默。
All of these theories and principles will help people to understand and appreciate humor in cross talk.
其他老一辈相声演员也认为，与钱挂钩使得相声变得商业化，从而让相声这个古老的艺术智慧渗了水。
Other cross talk elders say the money associated with the form’s popularity has commercialized the shows, watering down the traditional wit.
穆林：我一直想做一个文艺工作者，说说相声，演演戏，出去采访一下，这种感觉的生活。
Mu Lin: I always wanted to be an artist, like being a stand-up comedian, actor, or going out to do interviews.
穆林：我一直想做一个文艺工作者，说说相声，演演戏，出去采访一下，这种感觉的生活。
Mu Lin: I always wanted to be an artist, like being a stand-up comedian, actor, or going out to do interviews.
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