最近的科学分析不再支持地球上的物种灭绝有规律地周期性发生的观点，因此人们不再需要复仇女神的假设。
Recent scientific analysis no longer supports the idea that extinctions on Earth happen at regular, repeating intervals. Thus, the Nemesis hypothesis is no longer needed.
没什么能更快地激起复仇女神的愤怒了。
复仇的神或精灵，是复仇女神的男性化身，经常出现在希腊悲剧中。
An avenging deity or spirit, the masculine personification of Nemesis, frequently evoked in Greek tragedy.
她是愤怒女神，天惩女神，复仇女神，但仅限于公正的复仇。
She is the goddess of righteous anger; divine retribution and vengeance, but only where vengeance is actually fair in balance.
圣安托万睡着了，德伐日夫妇睡着了，就连复仇女神也跟她的杂货小贩睡着了，大鼓也休息了。
Saint Antoine slept, the Defarges slept: even the Vengeance slept with her starved grocer, and the drum was at rest.
她又继续打起毛线走了出去。复仇女神跟着她。德伐日是最后一个出去的，他关上了门。
She resumed her knitting and went out. The Vengeance followed. Defarge went last, and closed the door.
有一些较小的云霄飞车是悠哉游哉地回到车站的，而“复仇女神”却让你的心自始至终都悬在嗓子眼里。
Where lesser coasters cruise leisurely back into the station, Nemesis has your heart in your mouth from start to stop.
最后一部曲的内容则讲述了复仇女神，也称作厄里尼厄斯欲以弑母之罪惩罚俄瑞斯忒斯。
The last play concerns the punishment of Orestes at the hands of the Furies, or Erinyes, the goddesses who purge him of the sin of matricide.
因为在舞台上，爱情只是喜剧和悲剧的素材，而在人生中，爱情却常常招来不幸。它有时象那位诱惑人的魔女(1)，有时又象那位复仇的女神(2)。
For as to the stage, love is ever matter of comedies, and now and then of tragedies; but in life it doth much mischief; sometimes like a siren, sometimes like a fury.
因为在舞台上，爱情只是喜剧和悲剧的素材，而在人生中，爱情却常常招来不幸。它有时象那位诱惑人的魔女(1)，有时又象那位复仇的女神(2)。
For as to the stage, love is ever matter of comedies, and now and then of tragedies; but in life it doth much mischief; sometimes like a siren, sometimes like a fury.
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