我简直不敢相信那个送外卖的男人能记住这么多古典诗词，直到我在电视上看到他。
I couldn't believe the takeaway man can remember so many classical poems until I saw him on TV.
许多中国古典诗词在世界各地广为流传。
古典诗词翻译是文学翻译中一个重要而又难度较大的部分。
Translation of classical poetry is a difficult as well as an important part in literary translation.
在中国古典诗词中，“月”是一个出现频率极高的审美意象。
In classical Chinese prose and poetry, the moon is an aesthetic image that appears quite frequently.
中国古典诗词的英译存在着局限性。
The translation of Chinese classical poetry has limitations.
鸿雁是古典诗词，也是纳兰词的重要意象。
The swan goose is an important imagery in Na Lan lyrics and classical poetry.
古典诗词丰富多彩的修辞手法是现代歌词创作的源泉。
Variety of classical poetry rhetoric devices the source for modern lyrics creation.
第三章主要论述了现代歌词对古典诗词意象的承继与重构。
The third Chapter discusses the modern lyrics to inheritance and reconstruction the classical poetry imagery.
要实现古典诗词的欣赏与美学再现，离不开对文化的分析。
The analysis on cultural factors is the basis and a must in appreciating and representing the beauty of classical poetry.
文章以古典诗词为例，分析森林意象中故园情结的复杂性。
Some classical poets were taken as examples to analyze the complexity of homestead complex in forest imagery.
雁在我国古典诗词中是常见的意象，其原始意蕴起源于《诗经》。
The wild goose is our country classical poetry common image, and its primitive implication stems from The Book of Songs.
雁在我国古典诗词中是常见的意象，其原始意蕴起源于《诗经》。
The swan goose is an important imagery in Na Lan lyrics and classical poetry.
情与景，是中国古典诗词中最常见、组合方式最为多样化的两种要素。
The feelings and the scene are the two most common essential factors in the Chinese classical poetry.
论文针对如何在中国古典诗词英译中体现文化语境这一问题进行了探讨。
This paper aims at exploring how to present the cultural context in translating classical Chinese poetry into English.
冰心取古典诗词字句和意境入文，营造情境，便于文学思想的表现和传达；
Bing Xin took words and expressions and the mood of poetry into articles to create emotional situation, and it's easy to express and communicate her literature thoughts.
要解决古典诗词的审美问题，首先要辨析清楚美感、审美等一系列的概念。
The first problem to be solved is to clear some concepts like aesthetic standards and sensibilities.
诗词翻新是古典诗词创作的重要手段之一，通过翻新，诗词得到更广泛传播。
The recreation of poems is one of the important means of the classical poem writing, through which the poems are spread extensively.
作者认为经典作品，尤其是古典诗词，应该是写得最好，又安排得最好的文字。
The author says the classics, classical poetry in particular, are best words in the best order.
中国古典诗词翻译从这个角度来看，就是如何在翻译过程中尽量保持其意境美。
From this perspective, the translating process of classical Chinese poetry is the one how to preserve the beauty of its imagery.
中国古典诗词是一个珍藏丰富的艺术宝库，一个广袤，深邃，绚丽多姿的世界。
Ancient Chinese poems are a rich art treasure, as well as a vast, deep, and gorgeous world.
因此，从很大程度上来说，中国古典诗词的翻译问题就是如何转换其意境的问题。
Therefore, how to translate classical Chinese poetry successfully, to great extent, is equal to how to transfer the imagery existing in it sufficiently as a whole.
长期以来，国内外翻译家、学者就中国古典诗词可译不可译、应该如何译等问题争论不休。
For a long time, Chinese and foreign translators and scholars have been consistently discussing whether Chinese classical poems are translatable and if they are, then how should they be translated.
摘要：元明清时期诗词中的酒文化是中国古典诗词酒文化的余香，醇美而优雅，令人回味绵长。
ABSTRACT: During Dynasties of Yuan, Ming and Qing, the whole wine culture of classical Chinese poetry is fragrant, mellow and elegant.
本文通过对许渊冲先生诗词改译情况的分类研究，旨在为中国古典诗词的英译带来借鉴与启示。
This paper is a close study on the revision of poetry translations by professor Xu Yuanchong, with an aim to shed some light on the English translation of classic Chinese poems.
丁香：我校校花，丁香花在古典诗词中蕴含美丽、高洁，寓意勤奋、谦逊，象征学校良好的校风。
Lilacs: school flower. Implying beauty, nobleness, diligence and modesty, lilacs signifies the good spirit of our school.
作者提出要以国人喜闻乐见的中国古典诗词的形式翻译英语诗歌，并以三首英语诗歌为例进行了尝试。
The author intends to translate English poems into Chinese version in the form of Chinese classical poems, and provides three instances of translation in this way.
古典诗词是当代流行歌词的远祖，两者间有着一脉相承的关系，这些传承既有内容上的，也有形式上的。
The classical poetry is ancestor of contemporary popular songs and there exists a relation of call and response between them as regards both the contents and the form.
中国古典诗词翻译中的意境移植问题是一个相当难以探索的领域，其困难主要源于意境内涵本身的复杂性。
Due to the complexity of ideorealm in itself, it is difficult to explore in the realm of transference of ideorealm in classical Chinese poetry.
众所周知，中国古典诗词的翻译本来就是一大难题，然而要翻译出这些具有特色鲜明的叠字则更是难上加难。
It is difficult to translate poems, especially those with reduplicated words. As an important component of Chinese classical poetry, reduplicated words draw a great deal of attention of linguistics.
众所周知，中国古典诗词的翻译本来就是一大难题，然而要翻译出这些具有特色鲜明的叠字则更是难上加难。
It is difficult to translate poems, especially those with reduplicated words. As an important component of Chinese classical poetry, reduplicated words draw a great deal of attention of linguistics.
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