因此保皇党立刻在形象之战中获胜了。
当然，除去经济因素，许多“保皇派”人士也依然维护君主制。
Of course, many royalists also want to maintain the monarchy for non-economic reasons.
带着电视迷和铁杆保皇党，我们一起来找找在伦敦观看这场皇家婚礼的最好视角。
From couch potato to die-hard royalist, we've put together a guide of the best vantage points for every type of wedding watcher in London.
他最终被保皇党人捉住，关在伦敦塔中，后来转移到温莎，直到被克伦威尔释放。
He eventually found himself captured by Royalists and spent some time imprisoned in the Tower of London and later Windsor, before being paroled by Oliver Cromwell.
但是就婚礼本身而言，人们有的似乎是可以容忍的怀疑而不是歇斯底里的保皇派立场。
But there seems to be tolerant scepticism rather than royalist hysteria around the wedding itself.
联合党领导者开设论坛讨论悬挂国旗和其它保皇派埋怨的问题，但是反对者不愿意配合。
Unionist leaders have set up a forum to talk about flags and other loyalist complaints, but the protesters are not co-operating.
保皇党的报纸急切地把这些红白蓝相间的国旗照片放在首页，做给那些认为我们的行为是歇斯底里或滑稽的人看。
Royalist newspapers eagerly put photographs of those same red, white and blue flags along Regent Street on the front page, playing to an audience that finds our reaction hysterical and comic.
人们购买这些另类的纪念品，并没有任何反保皇党的意思，而更像是现代流行文化中一种带有嘲弄意味的表现。
No one is making a grand anti-royalist statement with these purchases – it's more a sign of the irreverent tone of contemporary pop culture.
在十八世纪保皇党来安省忠于英国，十八世纪后期，人口增长迅速，美国及英国移民纷纷到来寻求美好的生活。
In the 1700s, the United Empire Loyalists came to Ontario to remain British. By the late 1700s, the population grows rapidly. Newcomers from United States and Britain came for better life.
当时在伦敦的许多北美殖民者中有一位名叫塞缪尔，柯温的马萨诸塞州保皇党人，他发现聚在上议院门口外的人群数量是如此之多以至于他别无选择只能回到寓所。
One of the many Americans then in London, a Massachusetts Loyalist named Samuel Curwen, found the "mob" outside the door to the House of Lords too much to bear and returned to his lodgings.
伊尔·穆斯以一个很长的历史角度来描绘君主主义：男孩穿着蓝色衣服，让我们想起Gainsborough的18世纪穿蓝衣服的男孩画作，反过来是对查尔斯一世时期宫廷艺术家凡代的保皇党成员的肖像的尊敬。
Yeames draws on a long visual history of royalism: the boy wears blue, recalling Gainsborough's 18th-century blue boy, in turn a homage to the Cavalier portraits of Charles I's court artist Van Dyck.
伊尔·穆斯以一个很长的历史角度来描绘君主主义：男孩穿着蓝色衣服，让我们想起Gainsborough的18世纪穿蓝衣服的男孩画作，反过来是对查尔斯一世时期宫廷艺术家凡代的保皇党成员的肖像的尊敬。
Yeames draws on a long visual history of royalism: the boy wears blue, recalling Gainsborough's 18th-century blue boy, in turn a homage to the Cavalier portraits of Charles I's court artist Van Dyck.
应用推荐