这就是伽达默尔在说“存在“时的所指
这其实才是伽达默尔美学思想的核心。
第二章的主要内容是赫施对伽达默尔的批判。
The second part discusses a scholar criticized Gadamer's theory.
伽达默尔认为文本是与解释者平等的对话者。
伽达默尔愿意牺牲，因为他相信先入之见不可避免。
Gadamer is willing to sacrifice because of his belief in the inescapability of preconception.
伽达默尔对它略有歉意，并且他借助了一下语源学。
Gadamer is a bit apologetic about it, and he goes into the appropriate etymologies.
同时，伽达默尔反对历史主义因为他说，人们做不到。
In the meantime, Gadamer is objecting to this because he says, you simply can't do this.
德国哲学家伽达默尔以其哲学阐释学的思想体系著称。
German philosopher Gadamer's known by his philosophical hermeneutics of ideology.
在批判主体论美学的基础上，伽达默尔提出了艺术作品本体论。
By criticizing the subjective aesthetics, Gadamer proposes the ontology of artistic works.
伽达默尔的解释学的普遍性主要体现在他的理解观和语言观中。
The embodiments of the Universality of Gadamer's hermeneutics are mainly in his view of understanding and view of language.
席勒认为游戏的主体是游戏者，而伽达默尔却坚持应是游戏本身。
Schiller holds the subject of a play is the one who plays it, whereas for Gadamer the subject is the play itself.
论文从历史、重构、意义三个方面进一步讨论伽达默尔的游戏概念。
Discusses the play concept by Gadamer from the aspects of history, reconstruction and significance.
我会再讲一遍，现在说可能有点早，伽达默尔认为历史主义有些不道德。
I'll say again, somewhat in advance perhaps of the time I should say it, that Gadamer thinks that there's something immoral about historicism.
通过对审美的瞬间的分析，可以揭示伽达默尔解释学美学的时间意识。
This paper analyses the aesthetic moment - event and disputes the consciousness of time of Gadamer's hermeneutical aesthetics.
第二章阐明了伽达默尔效果历史意识与黑格尔“综合”辩证法的关系。
The second part discusses the relation between Gadamer's effective-historical consciousness and Hegel's integration dialectic.
最后简单介绍伽达默尔的游戏观对他的艺术作品本体论的建立的意义。
At last introduce briefly the significance of Gadamer's Play points to the build of his Art Ontology.
本文借助伽达默尔“理解的历史性”原则，重新审视翻译中的误读现象。
In the light of Gadamer's principle of "historical interpretation", this paper reconsiders phenomenon of misunderstanding in translation.
伽达默尔的解释理论既是对海德格尔的观点忠实继承又是创造性地发挥。
Gadamer's hermeneutics theory was faithful inheritance and creative development of Heidegger's views.
伽达默尔对游戏问题极其关注，并在《真理与方法》一书中引入了游戏概念。
Gadamer concerns on problem of play very much, and introduces the concept of play into "Truth and Method".
伽达默尔认为历史主义忘记了，我们会从过去性和他性中学到一些东西的可能性。
Gadamer believes that historicism forgets the possibility of being taught something by past-ness or otherness.
现在我们要看的第一篇文章是伽达默尔写的，在第735页最下面，一直到736页。
Now the first passage is in Gadamer's text on page 735, the very bottom of the page, and then I'll be going over to page 736.
伽达默尔主要通过分析黑格尔和赫尔姆·霍茨的理论，阐释了教化概念的丰富内涵。
Gadamer elucidated the abundant connotation of Bildung mainly through analyzing the theory of Hegel and Helmholtz.
但在西方现代美学中，维特根斯坦和伽达默尔分别创制了语言游戏和艺术游戏的概念。
However, Wittgenstein and Gadamer respectively created the notion of "language-game" and "art-game" in western modern aesthetics.
伽达默尔认为，客观性这个概念中隐含着，放弃了从对象中学习，从相异性中学习的可能。
Implicit, according to Gadamer, in the notion of objectivity is an abandonment of the possibility of learning from the object, of learning from otherness.
文章主要从伽达默尔哲学解释学的角度，论述了译者主体性作用在翻译过程中的体现和强弱。
The paper tries to expound, from the perspective of Gadamer s philosophical hermeneutics, the translators subjectivity and its realization and degree in the process of translating.
针对伽达默尔的哲学诠释学具有相对主义倾向的指责，本文试分析伽达默尔的理解观之性质。
In allusion to the accusation that Gadamer s philosophical hermeneutics has a tendency of the relativism, this paper attempts to analyze the character of Gadamer s view of understanding.
我要读的这两篇文章在某些观点上是并行的，我在讲伽达默尔的看法时想激发的就是这些观点。
The two passages that I'm about to read juxtapose the viewpoints that I've been trying to evoke in describing Gadamer's position.
我要读的这两篇文章在某些观点上是并行的，我在讲伽达默尔的看法时想激发的就是这些观点。
The two passages that I'm about to read juxtapose the viewpoints that I've been trying to evoke in describing Gadamer's position.
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