No. 6: Dies Irae from Mozart’s Requiem
第六:《安魂曲》，出自莫扎特的《安灵曲》。
The sheer scale of the Requiem defies description.
安魂弥撒的规模大得无法形容。
In 1957, the BBC produced rod Serling's play Requiem for a heavyweight.
1957年，英国广播公司制作了罗德·赛林的剧目《重量级拳击手的弥撒》。
Nights, weekends, all the time, he drove himself, working on the Requiem.
无论是夜晚还是周末，所有的时间他都用来不顾一切地谱写安魂曲。
Behind me, the Washington Symphony Orchestra is playing Mozart's Requiem.
在我后面，华盛顿交响乐团演奏的就是莫扎特的挽歌。
“What requiem can be sung”, he asked, “for trees uprooted by army bulldozers?
“该唱什么样的挽歌？”他问，“为被军用推土机连根拔起的树木？
Consider these from his latest novel "Nanjing Requiem" : "Finally Ban began to talk."
试看他最新这本《南京安魂曲》的开篇：“本顺总算开口说话了。”
There are many myths surrounding the exact details on how the Requiem was completed.
围绕着《安魂曲》是如何完成的具体细节有很多的神话。
Still wouldst thou sing, and I have ears in vain - To thy high requiem become a sod.
你仍唱着，而我听不见，你那高昂的安魂曲对着一搓泥土。
Consider these, from his latest novel, "Nanjing Requiem" : "Finally Ban began to talk."
试看他最新这本《南京安魂曲》的开篇：“本顺总算开口说话了。”
The 1956 "Requiem" was originally released on Philips LP, and for a short time, on Philips CD.
1956年的“安魂曲”最初发布于飞利浦唱片，和很短的时间，飞利浦的CD。
Clive Hamilton's Requiem for a Species is more pessimistic than most writing on climate change.
相对大多数气候变化著作而言，克莱夫·汉密尔顿的《物种的挽歌》一书更加悲观。
He knew that if he could finish the Requiem, he'd be famous for real, a genius instead of a fool.
他知道，如果他能完成安魂曲，他将会真的成为一名天才而闻名于天下，而不会被视为蠢才。
To record the historical truth, Akhmatova writes a narrative poem Requiem during those dark years.
在黑暗的岁月里，阿赫玛托娃创作了叙事诗《安魂曲》，记录下了历史的真实。
I saw Requiem for a Dream because it was premiering at Cannes and Darren was adamant that I come see it.
我看了《梦之安魂曲》，因为当时在戛纳首映，达伦坚持要我去看。
It sounded like someone relentlessly playing the kazoo during one of the more sombre passages of a War Requiem.
这成分听起来如同在一曲忧郁的安魂颂中，有人残酷无情地吹卡祖笛玩。
A requiem for the millions of soldiers of all nations who died on the battlefields of Europe in the 20th century.
一首为在20世纪欧洲战场上死去的数以百万计的各国士兵的安魂曲。
A profound search for meaning and solace in the face of mortality, Mozart's Requiem stands as one of the landmarks in all music.
此曲展示了莫扎特在面向死亡之际，对心灵安慰和生存意义深邃的寻求，也是音乐史上一个重要的里程碑。
MM: that brings up Requiem for a Dream and Fight Club and any of those movies that you really prepared for-where you fasted or trained previously.
MM：这让我想起了为了《梦之安魂曲》和《角斗俱乐部》等电影，你曾为了准备角色而禁食或训练。
But to Mozart — at that time sick, depressed, haunted by the thought of death — the stranger seemed a messenger from the other world, bidding him write his own requiem.
但是，对莫扎特来说——此时他身体不好，情绪低落，整天想着死——这个陌生人无异是从另一个世界派来的使者，来命令他写下他自己的安魂曲。
Requiem: in Paradisium is also unnecessarily experimental, with overlapping fuzz and tape effects diluting the sound; the looped drum track is also unimaginatively integrated.
《安魂曲：在天国》也未必是实验派作风，重叠的电子失真音像效果冲淡了钢琴的演奏；不间断的鼓声更是毫无想象力的组合。
Musically, this was a period of outstanding creativity which saw the production of many of his best known symphonic, concertante and operatic works, and his final, incomplete Requiem.
音乐上，这是莫扎特创作力最为旺盛的时期，许多最著名的交响乐、协奏曲和歌剧作品都是在这个时期创作完成的，此外还有他的最后一部作品——未能完成的安魂曲。
REQUIEM FOR A MAN premiered at the World Festival of National Theaters in Korea and has traveled nine countries successfully and extensively through South Korea and twice through the United States.
一个男人的镇魂歌首演于韩国的世界国家剧院艺术节并且成功地在九个国家巡演过并在韩国加演以及两次在美国演出。
REQUIEM FOR A MAN premiered at the World Festival of National Theaters in Korea and has traveled nine countries successfully and extensively through South Korea and twice through the United States.
一个男人的镇魂歌首演于韩国的世界国家剧院艺术节并且成功地在九个国家巡演过并在韩国加演以及两次在美国演出。
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