Throughout his career, Oshima remained a provocateur and iconoclast.
终其整个职业生涯，大岛渚始终是一位煽动者和反偶像崇拜者。
The paper outlines the outfitting work at Oshima Shipbuilding CO. LTD and the inspiration to SDARI.
本文介绍了日本大岛造船厂舾装设计的具体做法。
The richness of Oshima 's work , however , lies in its ability to fuse alienation with involvement .
然而，大岛渚作品的丰富性还在于其将离间与涉入加以融合的能力。
Mr Oshima now says he is certain that the super majority, without which Mr Aso would have to resign, will hold.
理森现在确信“超级多数票”地位能够得到确立，如果失利，那麻生就不得不下台了。
As to when he will do that, says Mr Oshima, probably the prime minister's closest and most important ally, only Mr Aso and God know.
麻生最亲近的大岛理森表示，这张牌什么时候出，恐怕只有上帝和麻生自己知道了。
Against this turbulent background, Oshima made his first films, which already, in their focus on delinquent youth, gave voice to the tensions in Japanese society.
大岛渚在这种动荡的背景下完成了其第一批影片，这些作品已经通过对青少年犯罪者的聚焦，表现出了日本社会内部的紧张状态。
"It was a malicious crime that cleverly took advantage of a mentality for revering the imperial court and imperial family," Kyodo news agency quoted judge Takaaki Oshima as saying.
日本共同社援引该案法官Takaaki O shima的话说：“这是一场居心叵测的犯罪，罪犯利用了人们对皇室法庭和皇室家族的尊敬。”
Donald Richie has suggested that a more direct influence is that of expressionist theatre - before becoming a film-maker, Oshima belonged to a troupe that staged expressionist plays.
唐纳德·里奇(Donald Richie)曾提出表现主义戏剧对大岛渚的影响更加直接：在从事电影创作之前，大岛渚供职于一个上演表现主义戏剧的剧团。
Oshima himself is still living, albeit in poor health, but it is a decade since the release of his last film, Gohatto (1999), which itself was his first fiction feature since the mid-1980s.
尽管身体不好，但大岛渚仍然在世，不过距离他上一次发行新片《御法度》(Gohatto, 1999)已有十年之久了，而那部影片本身也是二十世纪八十年代中期之后，大岛渚的第一部剧情长片。
Oshima himself is still living, albeit in poor health, but it is a decade since the release of his last film, Gohatto (1999), which itself was his first fiction feature since the mid-1980s.
尽管身体不好，但大岛渚仍然在世，不过距离他上一次发行新片《御法度》(Gohatto, 1999)已有十年之久了，而那部影片本身也是二十世纪八十年代中期之后，大岛渚的第一部剧情长片。
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